The Weekend Has a lot of Walking

Despite what this picture wants you to think, it is not animated.

The review:

Stella Meghie’s The Weekend is a quality film illustrating the difficulties of staying friends after a breakup and the ramifications when you try to buck that system.* Sasheer Zamata’s Zadie is a prickly floundering fledgling comedian** who doesn’t really try to make the best of the weekend away with her ex-boyfriend and his current girlfriend. This movie had a lot of walking and talking, most of which seemed to be orchestrated to move plot along; despite that, it was an enjoyable film.

The verdict: Good

Cost: $1.80 via Redbox (celebrated my newly unemployed status!)
Where watched: at home

Consider also watching:

Further sentences:

*It’s also an amusing film.
**Sexism alert! I quickly read half of the short synopsis on IMDB (A comedian goes away for the weekend with an ex-boyfriend and his new girlfriend). At “comedian” I got a picture of a man in my head which did not leave until several minutes into Zadie’s stand-up routine that opens the film.

Questions:

  • How do you feel about the acting quality of the men in this film?
  • Did Zadie deserve what she got?

Other reviews:

Queen & Slim Should be on Your To-watch List

Queen & Slim

The review:

Melina Matsoukas’s debut feature* Queen & Slim gives us a zeitgeist film that has (unfortunately) flown under most people’s radar. Daniel Kaluuya (Slim) and Jodie Turner-Smith** (Queen) begin as a couple on an awkward date, though their fates change when they are pulled over.*** What follows is a lot of different films: road trip, political story, heist, escape, love story and by the final scene the movie will have taken you on a rough and fulfilling journey.****

The verdict: Recommended

Cost: $1.80 via Redbox
Where watched: at home

Consider also watching:

Further sentences:

*If this is any indication of what’s to come, we have a very exciting filmmaker to watch.
**In this very American story, it was interesting to hear the two leads’ British accents during the making-of bonus features.
***Even people who don’t follow the news will recognize that a plot point involving Black people and a traffic stop doesn’t bode well.
****I went in mostly blind to this film. I heard “really good!” and “women director” and didn’t look further. It’s the kind of film where people might dismiss as too sad, but there’s so much life among the sadness, I would suggest you don’t pass it by.

Questions:

  • What are your feelings about Queen and Slim being viewed as heros?
  • What was your favorite encounter the couple had on their journey?

Favorite IMDB Trivia Item:

According to the writer, the divergent world views of the two protagonists were based on the differences between Martin Luther King, Jr. and Malcolm X.

Other reviews:

Queen & Slim

The Greatest Showman is Perfect Pandemic Viewing

The Greatest Showman

The review:

The overlap of the Venn Diagram of Michael Gracey’s The Greatest Showman and the actual facts of P.T. Barnum’s life is probably a slim sliver, but that does not take away from the fact that this is a very good movie musical.* Casting the living greatest showman (Hugh Jackman) helps, but so do the dance numbers** and the songs, many of which have a meter that is designed to pep the most lugubrious of people. The visual styling*** is also great and everyone turns in excellent performances.****

The verdict: Good

The verdict during a pandemic: Recommended

Cost: free from the Multnomah County Library (one of two DVDs I checked out before the library closed for pandemic purposes*****)
Where watched: at home.

Consider also watching:

  • The Music Man
  • Sound of Music
  • Seven Brides for Seven Brothers
  • Singing in the Rain
  • Mary Poppins
  • Mary Poppins Returns

Further sentences:

*Particularly when quarantined due to a pandemic. The hopeful and stalwart songs are just right for our times.
**”Rewrite the stars” has catapulted to my top-ten list of musical numbers.
***My copy had a making-of feature which explained why there were paintings of the film shown during the credits. This was a feature that made me like the film even more. The story behind the story is also inspiring.
****If I were an actor, I would aspire to Michele Williams interesting and varied career, and I also am interested in the turns Zac Efron takes. Long after I’ve forgotten the details of the film, Keala Settle will remain the thing I love about this movie.
*****I stayed away from this due to tepid reviews, and I’m kind of glad. It was the movie I needed right now.

Questions:

  • What’s a movie that came to you at just the right time?
  • What’s the most important element in a musical?

Favorite IMDB trivia item:

According to Hugh Jackman, the film’s nine-year development process from conception to completion was, in part, due to studios’ unwillingness to take a risk on an original musical. What finally sold the deal at 20th Century Fox was the future Oscar-nominated song “This is Me”, which had literally been written by Benj Pasek and Justin Paul during the two-hour flight to the studio meeting where the film was greenlit.

The Greatest Showman

All the Bright Places: Stick With the Book

All the Bright Places

The Review:

Brett Haley’s All the Bright Places is a romance with a bit of bipolar and hints of suicide.* Elle Fanning is great: she captures the emotions her character Violet travels through, from depressed despair to love and back again. The film does a disservice by not confronting the darkness; it’s content to bask in the love story.**

The verdict: Skip

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider watching instead:

Further sentences:

*This is one of those reviews where I’ve read the book and liked the book and even though it’s been a few years since reading, the plot is still very clear in my mind and does a much better job of getting across the point which is: mental illness is tough and even when you love someone it’s not the thing that’s going to fix their illness.
**It is good at capturing that early love stage, though perhaps too much dependent on montage.

Questions:

  • Do you think a film can accurately capture the complexities of bipolar disorder and falling in love? It seems a tall order.
  • Justice Smith. What did you think of his performance?

Favorite IMDB trivia item:

Elle Fanning’s first credit as producer on a feature film.

Other reviews:

All the Bright Places

Emma. is Period Perfect

Emma.

The review:

Autumn de Wilde’s Emma. is a dressed up in confectionery shop color, which shows off the transformation of Emma as she takes on a friend in order to add another match to her successes. Anya Taylor-Joy’s deft performance shows the evolution of Emma, ably aided by perfect supporting performances especially Mia Goth as Harriet and Johnny Flynn as Mr. Knightley.* This is not a period film where we get to know the servants as the focus is singularly on Emma’s circle, but it’s a funny film** and it has a lot of feeling in places,*** not to mention a gorgeous soundtrack.

The verdict: Recommended

Cost: $6.00
Where watched: Laurelhurst Theater (last movie in the theater prior to coronovirus shutdowns.)

Consider also watching:

Further sentences:

*Wondering who Johnny Flynn was, I found he starred in the Netflix comedy Love Sick, which I am currently enjoying quite a lot.
**Bill Nighy as Mr. Woodhouse is always good for a laugh.
***Including one point where the audience gasped aloud.

Questions:

  • What do you think is the key element of success when adapting Emma?
  • How badly do you want to visit that hat shop?

Favorite IMDB item:

The film’s title unconventionally has a period at the end. The director has stated in multiple interviews it is to signify the movie as a “period piece” set in the original era.

Other reviews:

Emma.

Homecoming is a film by Beyoncé

Homecoming A Film by Beyonce

The review:

In Homecoming, Beyoncé and Ed Burke capture the magic of Beyoncé’s 2018 Cochella performance which included a drum line, step dancing, tight choreography, a set that includes risers that look like a pyramid, and the power of Beyoncé’s music.* Interspersed with the action on stage are scenes of the planning and execution of this performance including information about why the show was delayed for a year and all of the personal physical preparation Beyoncé had to take to be ready.** This movie is for anyone who likes pageantry, anyone who likes to see how musical performances are created, and for sure, anyone who loves a drum line.***

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

  • 20 Feet from Stardom
  • Cabin in the Sky (though it’s from 1943 and thus racist, but the performances are great!)
  • Purple Rain
  • Dreamgirls

Further sentences:

*A true confession exposing my unfortunate proclivities to discount contributions by women and by women of color: After the first five minutes, I had the thought, “I wonder how much of this Beyoncé was around for? Did she slide in after it was all choreographed and put together?” This despite the title: Homecoming: A Film by Beyoncé. Luckily for me, Beyoncé (the director!) anticipated that people might wonder such a thing and I soon realized that she was the creator of everything about this incredible performance. I’m calling out my racist and sexist thought to illustrate that I still have discounting thoughts like that, and I need to catch them when they happen.
**I love that she reported her exact weight before she gave birth to twins, and talked about the difficulties of getting her body into a specific shape in time for this performance. It was also painful to watch, and I wish we lived in a world where women could live in the bodies they have after they give birth.
***I am not a follower of Ms. Knowles’s music; I recognized two songs. This did not distract me from loving every minute of this movie.

Favorite IMDB trivia item:

Beyoncé was paid $8 million to perform at Coachella.
(This was the only trivia item)
(Also: good job Beyoncé)

Other reviews:

Homecoming A Film by Beyonce

Portrait of a Lady on Fire is Incendiary

Portrait of a Lady on Fire

The review:

Céline Sciamma’s Portrait of a Lady on Fire is* a movie singularly focused on women in a way that few films are.** There is so much to see in this film, from the way the artist studies her subject surreptitiously, to the way the portrait evolves. It’s also a movie where class barriers are removed, and one that depicts a common issue most movies don’t address; by the end I felt fully immersed in these characters*** and their world.

The verdict: Recommended

Cost: $9.00
Where watched: Living Room Theaters

Consider also watching:

Further sentences:

*It is at this point that I want to insert my original take, texted to my friend: I have now seen Portrait of a Lady on Fire and deem it a slow burn, but very good. There I am, being punny without meaning to. This movie is not concerned about speed, but it earns its viewers’ attention with every deliberate scene.
**Where are the men in this film? I found their absence to be not at all realistic, but also a refreshing tonic. It was like my early undergraduate days, spent at a women’s college. I suspect the lack of men in this film has something to do with the fact that I first heard about this from the Online Female Film Critics 2019 awards shortlist, and heard almost nothing about it for the rest of awards season. Movies without women? Fine. Movies without men? Just not interesting to most of the people who review movies.
***I am also now curious to look up all the previous directorial efforts of Céline Sciamma, and previous movies with Noémie Merlant, Adèle Haenel and Luàna Bajrami

Question:

  • Do you think she was actually on fire, or was it a manifestation?
  • Did you see the page number thing coming?
  • Are movies that remove standard things (men, for instance) to tell their story distracting for the lack of such things, or captivating because of the removal?

Favorite IMDB trivia item:

The literal translation of the original title is Portrait of the Young Girl on Fire. One suspects that “the young girl” was changed to “a lady” for the English title of the film in order to evoke the Henry James novel, The Portrait of a Lady.

Other reviews:

Portrait of a Lady on Fire

Heartburn Starts With a Happy Marriage

Heartburn

The review:

Mike Nichols gives us a happy marriage that suddenly slams on its breaks in Heartburn.* I’m not a fan of Jack Nicholson** and was surprised to find him a chilled-out, easier-to-watch dude who nicely offset Meryl Streep’s performance, plus I enjoyed that darling red-headed baby.*** This is full of great lines and a great selection of 1986-era clothing, plus Kevin Spacey’s first film role, and various 80s-style ridiculous situations.

The verdict: Good

Cost: Free via Kanopy, the library’s streaming service.
Where watched: at home

Consider also watching:

Further sentences:

*I was under the mistaken impression that this movie was all divorce, all the time, but it begins with with the couple meeting at a wedding.
**”Are you watching The Shining?” the boyfriend asked as he caught a glimpse of Nicholson on the screen.”
“Nope,” I replied, “I’m watching a movie with the cutest baby ever!”
***Later in the film, looking at the way Meryl Streep was looking at that baby, I thought, “Is that Meryl Streep’s baby?” And it was. That’s Mamie Gummer.

Questions:

  • Knowing that this was based on the Nora Ephron/Carl Bernstein marriage, what do you think about Bernstein being a ladies’ man/lech?
  • Have you read this book?

Favorite IMDB trivia item:

In Everything Is Copy (2015), Jacob Bernstein’s documentary about his mother Nora Ephron’s life and career, he reveals that contentious negotiations over the movie adaptation of her novel Heartburn extended his parents’ divorce for several years longer than most divorces take. Eventually, their divorce agreement included a stipulation that the movie was not allowed to depict the “Mark Forman” (Carl Bernstein) character as anything but a good, loving, and conscientious father (whatever his failings as a faithful husband were), and Mike Nichols had to be named as a legal signatory to the divorce.

Random bit of me trivia:

The Carly Simon song featured on this soundtrack “Coming Around Again” was played ad infinitum on the radio station my parents listened to.

Heartburn

Out of context, this quote sounds dirty. Jack Nicholson was talking about some food that Meryl Streep had cooked.

To All The Boys: P.S. I Still Love You Is a Very Long Title

To All the Boys: P.S. I Still Love You

The review:

After disliking Noah Centineo so intently in The Perfect Date, I was gun-shy of To All the Boys: P.S. I Still Love You, but Michael Fimognari managed to include enough good relationship things* that I came away satisfied. And sometimes in a woman’s life there is a period where the boys come out of the woodwork, and this is rarely represented on film, so that was fun. This is solid, middle-tier movie making, perfect for two hours of untroubled movie viewing.**

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*The indie drama fan in me is always interested in what happens after the couple gets together and there were a lot of first-relationship troubles.
**There are troubles, of course, because otherwise there wouldn’t be a movie. But no one is dying here.

Questions:

  • What film comes closest to your own first relationship?
  • When do you turn to films like this one?

Favorite IMDB trivia item:

Jordan Fisher plays John Ambrose McClaren in this movie. In To All the Boys I’ve Loved Before (2018) the role of John Ambrose was played by a different actor, Jordan Burtchett.
(I wondered about this, but was too lazy to check. Thanks IMDB trivia writer!)

To All the Boys: P.S. I Still Love You

1917: Does the Movie Deserve Accolades?

1917

The review:

Sam Mendes’s 1917 is vacuuming up all the praise and it’s very good at being a tense war movie that is crafted as if it was filmed in one shot.* And yet, when we step a bit back from the cinematography shenanigans, is there enough story? I’m feeling torn, but I can tell you that I enjoyed both Dean-Charles Chapman** and George MacKay, *** I found one scene late at night in a town unbelievable, and I thought the depictions of rats was on point.****

The verdict: Good

(There will be much grumbling if this wins Best Picture. Not Green Book levels of grumbling—there will be no assigned reading—but grumbling nevertheless)

Cost: $9.50
Where watched: Cinema 21 with Matt, who enjoyed it.
(Also, I noticed for the first time a private screening area in the balcony.)

Consider also watching:

Further sentences:

*It was not.
**Although the preview clued me in about him
***He was the oldest son of Viggo Mortenson in Captain Fantastic
****Also, I’m quite happy to have avoided service during the Great War.

Questions:

  • What other movie razzle-dazzle (more easily created with CGI) do you want to see come back?
  • What would you lean on to get through fighting a terrible war?

Favorite IMDB trivia item:

Mendes says his grandfather Alfred, who entered WWI in 1916 as a 17-year-old, did indeed carry messages through no-man’s land, as per the mission in this film. His advantage was that he was only 5’4″ tall, and was often hidden by the battleground’s winter mist that usually hung as high as 6 feet. And after soldiering for two years in the muddy trenches, grandfather Alfred had a lifelong habit of constantly washing his hands. Yet, he never talked about his wartime experience until he was in his 70s.

(Short people for the win!)

Other reviews:

1917