Radha Blank is a Star in the Forty-Year-Old Version

Radha Blank in the Forty-Year-Old Version

The Forty-Year-Old Version

Directed by Radha Blank
Written by Radha Blank

The review:

Despite decades of “girl power” and versions of “leaning in” there are still a lot of spaces that aren’t available to women.* Radha Blank explores a couple of them** in this film that is both humorous*** and can really kick you in the solar plexus. Having Radha Blank on screen would probably be enough of a win,**** but she delivers a story that a lot of people would be better off having taken the time to watch.

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*There are the obvious ones, like pro baseball and pro football, and the less obvious ones like film criticism and, hey, the music industry, where talented women have to trade on something other than just their talent to achieve fame (and even then the gatekeeping is fierce.) I’m thinking of 20 Feet From Stardom, where there already was an Aretha, so there was no need to promote other talented Black female singers. I’m thinking of all the women singers who had the voice, but their looks were deemed to be not good enough by the men who control the recording companies. How many Taylor Swifts do we not hear from because they aren’t as attractive as she is?
**Hip hop music, where she reinvents herself as RadhaMUSPRime, and theater, where her play is finally being produced by a major (read: white) theater.
***Some of her rhymes are giggle inducing.
****She does not fall into gatekeepers’ standards of beauty.

Questions:

  • What do you make of Radha and D’s relationship?
  • Do you think the film’s title (so similar to a famous Judd Apatow film) helps or hurts?

Favorite IMDB trivia item:

Cinematographer Eric Branco explained that he actually showed up to the interview with a bag full of street photography books (Bruce Davidson, Matt Weber, Saul Leiter, Gordon Parks, Henri Cartier-Bresson) for the director. From the beginning, Radha wanted the footage to be shot on black and white 35mm film.

Other reviews of The Forty-Year-Old Version:

Orange background with a white frame. Text: The good news is, I still need a writer for my Harriet Tubman musical. —The Forty-Year-Old Version. Read the three sentence movie review. 3SMReviews.com

Let Them All Talk: Three Great Actors and a Luxury Liner

Meryl Streep in Let Them All Talk

Let Them All Talk

Directed by Steven Soderbergh
Written by Deborah Eisenberg

The review:

A Soderbergh movie written by a woman, starring three women I love to watch* that’s a bunch of talking while on a luxury liner? Yes, please.** Overall, this is an amusing frippery that I won’t remember much of in a few years’ time, but man was it good going down.***

The verdict: Good

Cost: HBO Max monthly cost (12.99)****
Where watched: at home

Further sentences:

*Plus Lucas Hedges
**You have no idea how much all of those things thrilled me.
***Though I adore Dianne Wiest (she who imprinted on me in Footloose) it was Candice Bergen who was the most fun to watch.
****We have it for a month due to treating ourselves so we could watch Wonder Woman 84.

Questions:

  • Which of the three women would you have liked to be?
  • If your friend from long ago offered to take you on a cruise, would you go?

Favorite IMDB trivia item:

For the most part paying Queen Mary 2 passengers were unaware of the film being shot. Signs were placed around live shooting locations. They were met with mostly indifference.

Other reviews of Let Them All Talk:

Orange background with a white frame. Text: When I read this novel, it's impossible for me not to think what a miracle it is That the universe emerged, what a miracle it is that consciousness emerged. And what a miracle it is that Blodwyn Pugh, her thoughts and experiences, that they could reach across time and reach into my consciousness. That's a miracle. —Let Them All Talk. Read the three sentence movie reivew. 3SMReviews.com

Wonder Woman 1984: A Fun Outing

Gal Gadot and Chris Pine in Wonder Woman 1984

Wonder Woman 1984

Directed by Patty Jenkins
Written by Patty Jenkins, Geoff Johns, and Dave Callaham

The review:

The great moments in Wonder Woman 1984 are the bits that come along with being female in the world that are highlighted in passing* as the story unfolds.** Overall, there are two stories here, one with a pyramid scheme guy and one with a antiquities specialist and I enjoyed the latter more than the former.*** But that is not to say that I didn’t enjoy this movie, it was a fun outing.****

The verdict: Good

Cost: HBOMax monthly fee ($14.99)
Where watched: at home

Consider also watching:

Further sentences:

*From the joy of young Diana trying to beat the course to the catcalls and unrelenting attention of the grown Diana (and Barbara Minerva) it’s a low and high thing.
**Also joyful? Chris Pine’s clothes modeling scene which mimicked Diana’s exasperation with WWI-era clothes in the previous movie.
***Also, I didn’t recognize Pedro Pascal and spent the film wondering if that was Nathan Fillion with a prosthetic nose, which was a little distracting.
****It’s also the longest Matt and I have gone without watching a new superhero film in more than a decade. Our last one together was Spider-Man: Far From Home in July of 2019! (Though Matt did see Birds of Prey earlier this year)

Questions:

  • Lotta flight in this film. Necessary?
  • What was your favorite Wonder Woman moment?

Favorite IMDB trivia item:

As first reported by Variety, actress Gal Gadot was paid $10 million for this film (which she also produces)—33 times more than what she made on the first film, Wonder Woman (2017) ($300,000).

(To which both Matt and I said, “$300,000? She was the star of that film!”)

Other reviews of Wonder Woman 1984:

Orange background with a white frame. Text: Nothing good is born from lies. And greatness is not what you think. —Wonder Woman 1984. Read the three sentence movie review. 3SMReviews.com

Happiest Season: A Lot of Great Performances by Women

Mackenzie Davis and Kristen Stewart in Happiest Season

Happiest Season

Directed by Clea DuVall
Written by Clea DuVall & Mary Holland

The review:

Astute readers* will remember how I’m always going on about the lack of good roles for women and I’m here to say that Happiest Season, a story about two women who love each other, who are heading to one of their family homes for Christmas, provides an entire movie with juicy roles for women.** This film captures a couple at a time in their relationship where it’s a little hard to root for them, but that just makes it all the more fun to watch.*** Aside from being big fans of most of the people in this movie, I thought Aubrey Plaza turned out her best performance in years.

The verdict: Good

Cost: Monthly Hulu charge of $6.00 (because bundled with Disney+)
Where watched: at home

Consider also watching:

Further sentences:

*Or those just passing by.
**This inverts the usual formula. Rather than a bunch of men and one woman, we’ve got a bunch of women and one man playing a side character.
***Plus, it can give you some compassion practice. What if you hadn’t found the courage to come out to your parents yet? What if you had to juggle that with the usual going-home teenager-esque feelings? What if sibling relationships made everything more complicated? I get that Harper isn’t making good choices, but I feel for her. (Plus, Mackenzie Davis was in Tully, and I will love her forever for that.)

Questions:

  • Were you rooting for, or against?
  • Your worst acting-like-a-teenager-though-a-full-grown-adult-while-visiting-parents moment. Go!

Favorite IMDB trivia item:

In Harper’s old room there’s a poster of Josh Hartnett. The film’s director, Clea DuVall, co-starred with Hartnett in The Faculty (1998).

Other reviews of Happiest Season:

Orange background with a white frame. Text: Have you managed to get a man's permission to take ownership of an adult, human woman yet? —Happiest Season. Read the three sentence movie review. 3SMReviews.com

Queen Latifah and Mo’Nique Dazzle in Bessie

Queen Latifah as Bessie Smith in the film Bessie.

Bessie

Directed by Dee Rees
Written by Dee Rees, Christoper Cleveland, Bettina Gilois

The review:

The always remarkable Queen Latifah gives us a tutorial of blues singer Bessie Smith’s rise to fame and fortune including the usual downturn that comes with biopics of performers. First cast in this film in 1997, Latifah delivers a very physical performance* with a ton of nuance. Mo’Nique also is amazing as Ma Rainey, the singer who teaches Smith the value of performance, and alerts her to the many people who are standing by to cheat blues singers out of their money.

The verdict: Good

Cost: Free. Borrowed the DVD from the Multnomah County Library
Where watched: at home

Consider also watching:

  • Ma Rainy’s Black Bottom
  • Ray
  • Dreamgirls
  • We are the Best (because I can’t not recommend this punk rock girl film every chance I get)

Further sentences:

*Aside from knock-down-drag-out fights, there is also enough enthusiastic sex to remind you that your generation wasn’t the first to invent sex.

Questions:

  • What was your favorite performance scene in Bessie?
  • Do you prefer Mo’nique or Viola Davies as Ma Rainey?

Favorite IMDB trivia item:

Charles S. Dutton, who plays Pa Rainey, made his Broadway debut in 1984 in August Wilson’s play Ma Rainey’s Black Bottom.

Other reviews of Bessie:

Orange background with a white frame. Text: I ain't playing second to nobody! —Bessie. Read the three sentence movie review. 3SMReviews.com

Add Arthur Christmas to Your Christmas Movie Collection

The cast of the film Arthur Christmas arranged in a pyramid with the elves on the bottom and Arthur at the top.

Arthur Christmas

Directed by Sarah Smith, Barry Cook
Written by Peter Baynham, Sarah Smith

The review:

Even if this movie didn’t have a scene that takes place in Idaho, it would be worth watching just for the action movie–style depiction of how presents are delivered using the S2, a googleplex of elves, and a doddering Santa, but what makes it a magical Christmas movie is how that operation is contrasted with a simpler one later in the film.* The story of Santa’s second son Arthur, this film has all of the hallmarks of a quality Christmas film: wonder, delight, sorrow, hilarity, and steadfastness. The worriers among us will love how Arthur harnesses that feeling to save Christmas and those of us who hate wrapping presents will marvel at the elf Bryony’s** skill in a time of need.***

The verdict: Recommended

Cost: $2.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*Look out for Bill Nighy’s voice stylings as Grandsanta.
**Ashley Jensen, with a delightful accent
***Three pieces of tape!

Questions:

  • What’s your favorite animated Christmas film?
  • How do you imagine those presents get delivered?

Favorite IMDB trivia item:

This is the second Christmas film featuring a title song sang by Bill Nighy. He also starred in Love Actually.

Other reviews of Arthur Christmas:

Orange background with a white frame. Text: And may one hundred percent of your Christmases be white. —Arthur Christmas. Read the three sentence movie review. 3SMReviews.com

Wild Nights With Emily | Dickinson Like You’ve Never Seen

Susan Ziegler and Molly Shannon in Wild Nights With Emily

Wild Nights With Emily

Directed by Madeleine Olnek
Written by Madeleine Olnek

The review:

I’m willing to bet that everyone reading this knows about Emily Dickinson and I’m also willing to bet that if you watched this film, you would find what you know about Dickinson to be missing a rather important piece of information.* Molly Shannon takes on the Dickinson role and her portrayal is in a lot of ways the opposite of Cynthia Nixon’s portrayal in A Quiet Passion. You’ll get the flavor of Dickinson’s life and learn a truth long suppressed.

The verdict: Good

Cost: Free via Kanopy, Multnomah County Library’s streaming service
Where watched: at home

Consider also watching:

Further sentences:

*Aside from writing process while alive, the story of the publication of Emily Dickinson’s poems after her death is an interesting one. This movie gives a few insights into what went down, but if you’re interested, you might want to read This Brief Tragedy by John Evandelist Walsh.

Questions:

  • When you think of Emily Dickinson, what do you think of?
  • Once you know the truth suppressed, how do you feel?

Favorite IMDB trivia item:

No trivia, but I give you this excerpt of Q&A from a KQED article:

Although the film is set in the 19th century, you wrote the script with contemporary colloquial expressions. Did you want to avoid the trappings of a period piece?

I’ve been really moved, if that’s the right word, by Drunk History. It’s shown us that historical pieces, when they’re stripped of all the pretension that we associate with them, are really about people in situations dealing with ideas. When I was reading Dickinson’s letters, I was surprised by how contemporary so much of the language was. It shocked me: jokes and things that you would never think someone in the 1800s would say. So I didn’t want the actors’ attention on presenting the period. We’ve seen that in a million films. I was interested in everyone focusing on what each person felt in that situation, the connections with other people and what they were struggling with.

(It’s a good article. Recommended) (I’m also a fan of Drunk History for the same reasons.)

Other reviews of Wild Nights With Emily:

Loser is Uneven, Has Charming Bits

Mena Suvari and Jason Biggs in Loser

Loser

Directed by Amy Heckerling
Written by Amy Heckerling

The review:

This is an excellent chronicle* of not fitting in** and has a killer 2000-era soundtrack.*** While I found the performances of Jason Bigg and Mena Suvari subpar, I think this film does represent how awkward starting college in a new town can be. You might only watch this if you are Heckerling completeist or freshman-year curious, but there are some nice scenes.

The verdict: Skip

(unless motivated by the above categories)

Cost: $3.99 via Google Play
Where watched: at home

Consider watching instead:

Further sentences:

*It’s a lesser chronicle of nuanced characters in that the bad people are very bad and the good people are very good.
**I completely related to the not fitting in plot when I first watched this as I was in the midst of not fitting in at the time.
***”Teenage Dirtbag” starts us off, and it just keeps getting better.

Questions:

  • Would this movie have worked better if the characters had some nuance?
  • What was the most memorable scene?

Favorite IMDB trivia item:

In a February 2017 feature at The Ringer that interviewed Amy Heckerling and wrote about her entire career, Heckerling said that the main reason this film failed is that the studio insisted it be delivered as a PG-13 film even though it was intended by everyone else, from Heckerling to the since-departed studio executives who’d greenlit production, as an R-rated comedy. The studio said that R-rated comedies weren’t welcomed by enough audiences and forced the film to be watered down considerably. Heckerling said the movie failed because audiences could tell it was not doing what it was intended to do

(Yet another opportunity to observe that making good movies is hard!)

Other reviews of Loser:

The links are all dead. Here are some takeaways:

  • Amy Taubin, Village Voice: The most progressive, good-hearted studio film of the summer.
  • Maitlan McDonagh, TV Guide: A sweet-natured and refreshingly uncartoonlike look at the trials of an unworldly Midwestern college boy negotiating his freshman year at NYU
  • Kim Morgan, The Oregonian: The script is atypically bland for Heckerling.
I love self-loathing complaint rock you can dance to. —Loser. Read the three sentence movie review. 3SMReviews.com

Songs My Brothers Taught Me Shows Lives on the Rez

Picture of Taysha Fuller, Irene Bedard and John Reddy in the motion picture Songs My Brothers Taught Me.

Songs My Brothers Taught Me

Directed by Chloé Zhao
Written by Chloé Zhao

The review:

Depictions of Rez Life are rare in film, and it’s saying something that a Chinese director, not an American, was the person who made this film about Johnny and Jashaun Winter and their life on the Pine Ridge Reservation.* This is a Wandering Through sort of film and there’s much to observe, though there is a bit of plot holding everything together.** This film showed depressing and hopeful aspects of a community that seems to exist in America without much notice by the general public.

The verdict: Good

Cost: Free via Kanopy, the library’s free streaming service.
Where watched: at home

Consider also watching:

  • The Rider
  • Smoke Signals
  • I don’t have much knowledge in this area.
  • Here is a list from Indian Country Today

Further sentences:

*I was first introduced to Zhao with the 2018’s excellent The Rider, which also takes place on Pine Ridge.
**As with The Rider, the plot is not super important. Zhao is great at holding your attention.

Questions:

  • What would life on the Rez look like if a billion promises hadn’t been broken?
  • What do you think it would take to have a regular pipeline of Indian-produced films?

Favorite IMDB trivia item:

On a DVD extra, director Chloé Zhao said of the tight budget, light plotting, and neo-realist style casting, “We’re capturing truth—because truth is the only thing we can afford.” The production used mostly local residents as actors, and, according to Zhao, 80% of the story depicted is true to the actual life of the young man playing Johnny Winters (John Reddy). The house that Winters lives in is the house that Reddy lived in, and Reddy, also one of twenty-five children to one father, has many of his real family members playing members of his family. In fact, the man shown delivering the eulogy for Winters’ father is Reddy’s actual father.

Other reviews of Songs My Brothers Taught Me:

Orange background with a white frame. Text: Thing about breaking a horse is, don't run 'em all the time. 'Cause if you're gonna just keep running a horse, you're gonna break its spirit. Anything that runs wild got something bad in 'em. You want to leave some of that in there. 'Cause they need it to survive out here. —Songs My Brothers Taught Me. Read the three sentence movie review. 3SMReviews.com

Rebecca 1940: Tune in for the Atmosphere

Laurence Olivier and Joan Fontaine in Rebecca

Rebecca (1940)

Directed by Alfred Hitchcock
Written by Robert E. Sherwood and Joan Harrison

The review:

Rebecca has the usual problems one runs into with a film older than my social-security-collecting parents,* but that shouldn’t keep you from watching it. It’s a whole atmosphere, from the first line** to the last, iconic image, and so much of what’s fun about the atmosphere is the head housekeeper stink-eye provided by Judith Anderson. This is a great intro to Hitchcock, both for the universality of feeling being in over one’s head and for the Hitchcock camera angles.

The verdict: Recommended

Cost: Free via DVD copy from the Multnomah County Library. That copy kept freezing, so I also watched part of it via TV Time, the Roku channel that shows old movies and has commercials. Then the internet dropped out, so I went back to the DVD. It was a journey.
Where watched: at home

Consider also watching:

Further sentences:

*Older man treating the woman he loves like a child, the woman in question wandering through her life, the couple “falling in love” in the time it takes a rich lady to recover from pneumonia, the proposal that was a put down, etc. The infantilization of women in classic films is sometimes hard to take.
**”Last night, I dremt I went to Manderley again” gave me chills and when paired with the visual and the distant tone in Joan Fontaine’s voice throughout the monologue, propels this first line right to the same territory as: “As far back as I can remember, I always wanted to be a gangster.”***
***Goodfellas. AFI has neither of these quotes on its list of top 100 movie quotes, but what do they know?

Questions:

  • What would your reaction have been, coming home to Manderly?
  • It’s weird that there aren’t any titles used, eh? Like is he a lord, or a commoner from a very rich family?

Favorite IMDB trivia item:

The first movie that Sir Alfred Hitchcock made in Hollywood, and the only one that won a Best Picture Oscar. Although it won Best Picture, the Best Director Award that year went to John Ford for The Grapes of Wrath (1940).

For those interested, back in the 90s, I watched an interesting documentary called Hitchcock, Selznick and the End of Hollywood. I really liked the comparison between the two men and it’s worth searching out. It seems to be an episode of American Masters.

Other reviews of Rebecca:

Full opening quote:
(Though more fun to watch. I’ve got it queued up here.)

Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me.

Then, like all dreamers, I was possessed of a sudden, the supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again, and little by little had encroached upon the drive with long tenacious fingers, on and on while the poor thread that had once been our drive.

And finally, there was Manderley. Manderley, secretive and silent. Time could not mar the perfect symmetry of those walls. Moonlight can play odd tricks upon the fancy, and suddenly it seemed to me that light came from the windows.

And then a cloud came upon the moon and hovered an instant like a dark hand before a face. The illusion went with it. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again. That much is certain. But sometimes, in my dreams, I do go back to the strange days of my life which began for me in the south of France…

Orange background with a white frame. Text: I'm asking you to marry me, you little fool.—Rebecca. Read the three sentenced movie review. 3SMReviews.com
Can’t say I was a fan of this proposal.