Tag: Woman Director

A Beautiful Day in the Neighborhood has the Right Focus

A Beautiful Day in the Neighborhood

The review:

As I discovered last year with the documentary Won’t You Be My Neighbor, Mr. Rogers has a calming and cathartic effect on me; in Marielle Heller’s* A Beautiful Day in the Neighborhood, it seems that Tom Hanks playing Mr. Rogers has the same effect. I think this movie was wise to avoid the biopic treatment and instead frame the story around a journalist who has a lot of problems which lets us substitute our own selves in for him as Fred Rogers takes an interest. It’s also full of actors I love to watch** and includes many memorable scenes.***

The verdict: Good

Cost: $9.75 (I didn’t plan well. I could have seen this at the Jubitz theater for $6)
Where watched: Living Room Theater (Part I of New Year’s Eve Double Feature!)

Consider also watching:

Further sentences:

*This film follows Heller’s excellent Can You Ever Forgive Me? which was her second feature after her incredibly enjoyable debut The Diary of a Teenage Girl. All of these films are worth your time. And hopefully Heller will continue directing films every other year or so.
**I’m always up for Chris Cooper and Enrico Colantoni (Keith Mars!) and though I wasn’t familiar with them I thought Matthew Rhys, Susan Kelechi Watson and Maryann Plunkett were excellent.
***Some of which show up in the article that is featured in the film and which you can read. My favorite scene though, was Fred and Joanne Rogers playing a duet on the twin grand pianos in their home.

Questions:

  • What is it about Mr. Rogers that elicits such feelings?
  • What’s your favorite Mr. Rogers moment?

Favorite IMDB trivia item:

This movie is based on the article “Can You Say…’Hero’?” by Tom Junod, which was published in the November 1, 1998, issue of Esquire Magazine. In 2019, before the release of this film, Junod wrote an article in The Atlantic that was partly about this process. It started, “A long time ago, a man of resourceful and relentless kindness saw something in me that I didn’t see in myself. He trusted me when I thought I was untrustworthy, and took an interest in me that went beyond my initial interest in him. He was the first person I ever wrote about who became my friend, and our friendship endured until he died. Now a movie has been made from the story I wrote about him, which is to say ‘inspired by’ the story I wrote about him, which is to say that in the movie my name is Lloyd Vogel and I get into a fistfight with my father at my sister’s wedding. I did not get into a fistfight with my father at my sister’s wedding. My sister didn’t have a wedding.”

Other reviews:

A Beautiful Day in the Neighborhood

Little Women: The Millennial Version

Little Women

The review:

By eschewing a linear narrative, Greta Gerwig manages to make the twists and turns of Little Women* into something I want to watch more than once.** As I watched the 1994 version in August, I’m heavy on the comparisons/contrasts,*** but I think this movie did what was needed to be done to the story to make this one of the best movies I’ve seen in 2019. It’s a film full of life and laughter and tears, not to mention several versions of cross-in-front sweater wraps (not quite these, but close****) that I need the pattern for.

The verdict: Recommended

Cost: $9.00 (and I had to go to the theater two days in a row because the first day was sold out)
Where watched: Hollywood Theater with an audience who gasped aloud in places, proving they hadn’t recently watched the 1994 version.

Consider also watching:

  • Little Women 1994
  • Frozen
  • Your Sisters Sister
  • Sense and Sensibility
  • The Virgin Suicides

Further sentences:

*A story I’ve never liked.
**True story: after the movie ended, I checked my bus arrival time, found it wasn’t coming for another 17 minutes, and snuck into the later showing so I could experience whatever scene I encountered once again.
***See below for my drilldown
****For those of you who are interested, here’s a handy article about how to steal the movie’s style without looking like an extra in a period piece.

Questions:

  • Which version do you think comes out on top? Aside from 2019 and 1994, there’s also the 2018 present-day one, the 2017 PBS one, the 1949 June Alyson one, and the 1933 Katherine Hepburn one (which I mostly remember because the sleeves were out of control!)
  • Which of the sisters are you?

Favorite IMDB trivia item:

Although they portray heroines of American literature, none of the four actors are American. Emma Watson and Florence Pugh are English, Saoirse Ronan is Irish, and Eliza Scanlen is Australian.

Other reviews:

1994 vs. 2019:

  • Meg: Trini Alvarado beats Emma Watson
  • Jo: Tie. I like both Winona Ryder and Saoirse Ronan for different reasons
  • Beth: Claire Danes knocks Eliza Scanlen out of the park. (I think Claire Danes is the best part of the 90s version.)
  • Amy: Kristen Dunst as young Amy beats Florence Pugh. Pugh did a good job acting younger, but she didn’t look younger. Dunst takes the win there. Florence Pugh beats out Samantha Mathis as older Amy. Best Florence Pugh scene: telling Laurie no.
  • Laurie: Christian Bale beats out Timothée Chalamet simply because Timothée Chalamet looks incredibly youthful and thus I didn’t fully believe he was grownup Laurie. Who did I enjoy watching more? Chalamet.
  • Marmee: Tie. Susan Sarandon brings more gravitas than Laura Dern, though Dern is not saddled with all that moralizing. She’s a hippie-style Marmee.
  • Aunt March: Meryl Streep beats out Mary Wickes (you know, because she’s Meryl Streep)
  • Professor Bhaer: Gabriel Byrne (IMDB has him ranked second in the casting lineup!) beats out Louis Garrel. Though I think the much older Byrne was closer in age (44 at time film) to the Professor Behr in the book (The internet is telling me 40) Louis Garrel is 36, but he doesn’t look it.
  • Mr. Lawrence: Tie. Both John Neville and Chris Cooper are good
  • Hannah: Florence Paterson beats out Jayne Houdyshell

The 1994/2019 verdict:

  • 1994: 6 wins, 3 ties
  • 2019: 2 wins, 3 ties
  • Yet somehow I enjoyed the 2019 version so much more! Directing matters!
Little Women

Harriet is the Movie Harriet Tubman Deserves

Harriet

The review:

Kasi Lemmons directs the incredible Cynthia Erivo in Harriet, giving Ms. Tubman a worthy story that is painful, tense, and hopeful throughout.* Erivo leads an excellent cast and the movie keeps the focus on the former and current slaves rather than tells the story through the eyes of white people.** This is also a biopic that includes a fair amount of speechifying that never comes off as pedantic, it isn’t draggy and has no endless scenes of drug use.***

The verdict: Recommended

Cost: $4.00
Where watched: Academy Theater with Matt, who also enjoyed it

Consider also watching:

Further sentences:

*So rarely do we get to see women take the reins and steamroll over all the messages they are being told. That it’s a woman trapped in slavery makes this narrative all the better.
**I say this because so many movies about the black experience in the USA get co-opted by the white narrative (I’m looking at you Mississippi Burning)
***I’m looking at you Bohemian Rhapsody,and Walk the Line, and Straight Outta Compton. Though I had forgotten that Harriet Tubman experienced spells where she collapsed. So there’s a goodly amount of fainting.

Questions:

  • How do you feel about a British person playing a US hero?
  • Have you watched Kasi Lemmons‘ other films? (Black Nativity, Talk to Me, The Caveman’s Valentine, Eve Bayou) I’m thinking about a director retrospective in 2020.

Favorite IMDB trivia item:

This is the first feature film to be made about the life of Harriet Tubman.

Other reviews:

Harriet quote
(I love this quote so much!)

Atlantics: Current Events With a Twist

Atlantics

The review:

Mati Diop’s Atlantics takes a current event topic* and crafts a unique story about the women who are left behind. This was a very atmospheric film that got more interesting as the movie continued. Mame Bineta Sane as Ada is a compelling main character.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*People attempting to escape grinding poverty by sailing across the Mediterranean for the chance of a better life

Questions:

  • What elements of this film worked for you?
  • How did you come to watch this film? (I watched it because it’s a Filmspotting Golden Brick nominee)

Favorite IMDB Trivia Item:

Mati Diop, with her submission of “Atlantics” to the 2019 Cannes Film Festival, is the first black woman director in history to compete in the festival’s competition.

Other reviews:

Frozen II: A Worthy Successor

The review:

Jennifer Lee and Chris Buck’s Frozen II is a worthy successor to the the animation triumph that spawned a generation of children who know every vocal inflection of “Let It Go.”* This is an adventure story, a sister story, a story about coming to terms with things other people did in the past, and a story firmly focused on the female experience.** I don’t think there is a generation-defining song in this film, but there are plenty of good songs, both enjoyable and moving.***

The verdict: Recommended

Cost: free due to passes (Thanks, Danielle)
Where watched: Roseway Theater (Our first time. It was a nice neighborhood theater.)

Consider also watching:

Further sentences:

*2015: the year Bre’s 4/5 class sang that song often and at a volume that easily came through the walls to the school office.
**We’re not quite to the point where we can have a story focused on the female experience where the women wear flats instead of heels, but I have faith that time is coming.
***My favorite amusing song was Kristoff’s “Lost in the Woods” a homage to 80s music videos where the singer has many feelings.

Questions:

  • When do you think everyone will come to the sensible conclusion that high heeled shoes are dumb, and then stop wearing them?
  • I’ve just noticed that Martha Plimpton is in this movie. Have you seen her in anything else, of late?

Favorite IMDB trivia item:

During Kristoff’s “Lost in the Woods” number, there is a moment where Kristoff sings and three reindeer behind him in a triangular arrangement in front of a black background. This resembles the music video for Queen’s “Bohemian Rhapsody“.

Other reviews:

Chutney Popcorn Overcomes; Is a Good Movie

Sorry it’s not a better image. Surprisingly, 90s indie films about lesbians don’t have a ton of media presence on the internet.

The review:

Nisha Ganatra directs a film chock full of terrible acting,* and yet still manages to create a very enjoyable movie-watching experience. The plot has an interesting conundrum (offering to be a surrogate for your married, infertile sister) and the movie itself is a delightful time capsule of late-90s New York City lesbian culture. This is a great example of how serious flaws sometimes aren’t enough to bring down the movie.**

The verdict: Good

(with some caveats)

Cost: free via Hoopla, the library’s steaming service that isn’t Kanopy
Where watched: at home

Consider also watching:

Further sentences:

*Apparently, there’s a good reason that the main character’s acting isn’t great. See the trivia section. Jill Hennessy is in this and isn’t bad, but she isn’t great, either.
**Ganatra also directed one of my favorite films of this year: Late Night

Questions:

  • What’s a movie that isn’t great (for whatever reason) but you still love it.
  • Iconic lesbian films. Go!
  • Have you seen Late Night yet? Why or why not?

Favorite IMDB trivia item:

Director and co-writer Nisha Ganatra stepped into the lead role of Reena after the actress originally cast in the role quit the production shortly before filming began.

Miss Stevens Captures a Non-classroom Aspect of Being a Teacher

The review:

Julia Hart directs and Lily Rabe inhabits Miss Stevens and together they create a story about the parts of teaching that don’t have to do with standing in the front of a classroom. Lily Rabe is a complex Miss Stevens* and watching her students watch her make the choices she does is only part of the fun. At times, the movie balances the teacher/student relationships on a knife’s edge and the tension is in seeing how Miss Stevens will react; in addition, Timothée Chalemet pushes the envelope the most in an excellent performance.**

The verdict: Recommended

Cost: free via Kanopy
Where watched: at home

Consider also watching:

Further sentences:

*I was captivated by her performance. She has a really interesting face: lots of emotion and she looks different from every angle.
**That at one point tips over to “too big” but otherwise is exemplary.

Questions:

  • I had trouble making recommendations of other movies.What’s your favorite quiet-mentor movie?
  • What was one point where Miss Stevens made a choice that was right for the moment?
  • What makes a good teacher?

Favorite IMDB Trivia Item:

The headrests on the front seats of Miss Stevens’ car are incorrectly positioned, causing a safety issue where a crash could potentially lead to the decapitation of the driver and front passenger.

(Oh internet comments. Sometimes I love you so much.)

Now and Then Would Have Been Better Off Sticking with Then

The review:

In 1995, Lesli Linka Glatter directed Now and Then, a coming of age movie with a lot of young actresses who then were girls but now are grown up and still fun to watch.* The plot is a little thin, and would have been better without the grown-up story, but it was a fine palate cleanser on a Friday night. Plus, it’s a good 1995 time capsule.**

The verdict: Good

(Again, we’re not talking fine wine. We’re talking house red. Or possibly Two Buck Chuck.)

Cost: Netflix monthly subscription ($8.99)
Where watched: at home

Consider also watching/watching instead:

Further sentences:

*Gaby Hoffman is always a treat.
**And possibly a good 1970 time capsule, though that was before my time.

Favorite IMDB trivia item:

The movie (a.k.a. The Gaslight Addition) was actually written about a town in Indiana named Winchester, and its gaslight addition. The author of the story I. Marlene King grew up there, as did the director Robert Wise, in vastly different years. Winchester declined to have their name associated with the movie, so the name became Shelby, but later Winchester began to preserve areas mentioned in the movie.

Hustlers is Worth Your Dollar Bills

The review:

Lorene Scafaria has made my favorite kind of movie with Hustlers: that which seems to be about one thing, but which is, in fact, about another.* While you could get distracted (as those guys at the strip club did) by all that flesh, in Scafaria’s deft hands this is not a movie about women who remove their clothes for economic gain, it’s about women who game a system that puts them at the bottom of the billions that are made by exploiting women’s bodies. Excellent performances all around** and there’s a lot of heart in this film.

The verdict: Recommended

Cost: $6.70
Where watched: Studio One Theaters

Consider also watching:

Further sentences:

*I think it helps that it was a woman who wrote this story. Despite the various stages of undress, this was a film absent of the male gaze.
**Jennifer Lopez is such a commanding presence. The range of emotions on Constance Wu’s face was amazing. It’s great to see Mercedes Ruehl and I’m always happy when Julia Stiles is on screen.

Favorite IMDB trivia item:

Jennifer Lopez trained for pole dancing in preparation for the movie. She even had a detachable pole in her house.

The Sun is Also a Star is Not a Movie I Enjoyed (Because the Book is Better)

The review:

Ry Russo-Young’s The Sun is Also a Star is not going to get a fair review from me because I’m too close to the book.* I initially rejected the movie because the actors both look like they are well into their 20s;** when I did watch the movie the changes that were made from the book stripped a lot of what I loved from the story.*** I didn’t necessarily expect this to be amazing, but I did want it to be better than it was.****

The verdict: Skip

Cost: $1.75
Where watched: at home

Consider watching instead:

Further sentences:

*Which is excellent, and I recommend you read it immediately. It’s short. It won’t take you long. Nicola Yoon is the author.
**I’ve since found out that Yara Shahidi is actually still a teenager
***I’m usually pretty good at separating the book from the movie—they are different mediums and need different things. But this movie was left with not much after so many things changed.
****Especially because Russo-Young directed Before I Fall, which I really enjoyed.

Favorite IMDB trivia item:

The lead characters Natasha and Daniel are loosely based on Nicola Yoon (the author of the book the movie is based on) and her husband who are Jamaican and Korean American respectively. Neither faced the immigration issues shown in the film.