Tag: Woman Director

This Isn’t a Girlhood You Would Wish on Anyone

Girlhood

The review:

Céline Sciamma’s Girlhood* has a similar pace to Portrait of a Lady on Fire** but with a completely different subject matter.*** And the girls in this were just great, especially Karidja Touré as Marieme/Vic. It’s the kind of film where it’s apparent from the first scene that things aren’t going to go well, but the journey is an interesting one.

The verdict: Good

Cost: free via Kanopy (also on Hoopla)
Where watched: at home

Consider also watching:

Further sentences:

*Interestingly, the translated name of both this and Portrait have been revised a bit to better draw English-speaking audiences. The title of this film, Bande de filles, Google translates as “bunch of girls.” I’m guessing the title was changed to Girlhood to draw the interest of people interested in Richard Linklater’s Boyhood. The original name of Portrait of a Lady on Fire is Portrait de la jeune fille en feu, Portait of a young girl on fire. The English translation is more evocative of Henry James’s novel The Portrait of a Lady which is a title people are familiar with, even if they haven’t read it.
**Languid
***Contemporary French teenage girls who are either the children of immigrants or immigrants themselves.

Questions:

  • What did you think of the opening scene?
  • What decision do you think Vic made after the final scene ended?

Favorite IMDB trivia item:

The most daunting task for the film was to obtain the rights to the Rihanna song “Diamonds.” She gave them the authorization once she had seen the sequence dedicated to the song.

(It’s a great sequence.)

Other reviews:

Monster: Great Performances!

Monster

The review:

In Monster, Patty Jenkins directs Charlize Theron to an Oscar-winning performance, but also provides a nuanced portrait of a serial killer. Aside from Theron’s full command of the screen,* Christina Ricci turns in a masterful performance as Selby.** Many things disturbed me about this film,*** but in the good kind of way that means I’m not ignoring depressing things about real life.

The verdict: Recommended

Cost: free via Roku (with ads)
Where watched: at home

Consider also watching:

Further sentences:

*I loved her can-do spirit when she was feeling up and the contrasting low points. Theron’s physicality was great too, the way she captured Aileen’s reach out/pull back energy.
**The unsure ingenue-type who also was a bit whiny and I never really understood why SHE didn’t go and get a job. What a fun performance!
***The low prices for sex acts, for one. The number of men depicted who are willing to pay for sex. The casual discarding of women who are sex workers.

Questions:

  • What kind of world would we have to live in so none of the events of this movie would take place?
  • Did you find Aileen to be a likable character? Why or why not?

Favorite IMDB trivia item:

Charlize Theron said in an interview that she was confused when Patty Jenkins approached her for the role. “Why me?” she asked the director. “These are usually the [roles] that I have to go out there and sweat blood and kill somebody for.” Jenkins’ reply was “Honestly, I just looked at you, and I looked at everybody else, and I said to myself, ‘I could kick the other actors’ asses. You, I’m not so sure.'”

Other reviews:

Monster

The Weekend Has a lot of Walking

Despite what this picture wants you to think, it is not animated.

The review:

Stella Meghie’s The Weekend is a quality film illustrating the difficulties of staying friends after a breakup and the ramifications when you try to buck that system.* Sasheer Zamata’s Zadie is a prickly floundering fledgling comedian** who doesn’t really try to make the best of the weekend away with her ex-boyfriend and his current girlfriend. This movie had a lot of walking and talking, most of which seemed to be orchestrated to move plot along; despite that, it was an enjoyable film.

The verdict: Good

Cost: $1.80 via Redbox (celebrated my newly unemployed status!)
Where watched: at home

Consider also watching:

Further sentences:

*It’s also an amusing film.
**Sexism alert! I quickly read half of the short synopsis on IMDB (A comedian goes away for the weekend with an ex-boyfriend and his new girlfriend). At “comedian” I got a picture of a man in my head which did not leave until several minutes into Zadie’s stand-up routine that opens the film.

Questions:

  • How do you feel about the acting quality of the men in this film?
  • Did Zadie deserve what she got?

Other reviews:

Amy Ryan Shines in Lost Girls

Lost Girls

The review:

Liz Garbus’s Lost Girls provides a good vehicle for Amy Ryan to be steely,* Thomasin McKenzie to do some accent work, and Lola Kirke to be sparkly.** This is one of those films where nothing is really wrong with the narrative but it also doesn’t lend itself to gushing accolades. I appreciate it for calling out the disposable nature of women*** and the afterword caused me to gasp.

The verdict: Good

Cost: Netflix monthly fee $8.99
Where watched: at home

Consider also watching:

Further sentences:

*Always enjoyable!
**I last saw her in the excellent Mistress America, where she was tight-laced and tentative.
***Especially ones who work in jobs that can be morally judged.

Questions:

  • What do you think drives Mari Gilbert, even before her daughter turns up missing?
  • How did you feel about the ending to this film?

Favorite IMDB Trivia Item:

The photos shown of the victims, are the actual real life victims.

Other reviews:

Lost Girls

Queen & Slim Should be on Your To-watch List

Queen & Slim

The review:

Melina Matsoukas’s debut feature* Queen & Slim gives us a zeitgeist film that has (unfortunately) flown under most people’s radar. Daniel Kaluuya (Slim) and Jodie Turner-Smith** (Queen) begin as a couple on an awkward date, though their fates change when they are pulled over.*** What follows is a lot of different films: road trip, political story, heist, escape, love story and by the final scene the movie will have taken you on a rough and fulfilling journey.****

The verdict: Recommended

Cost: $1.80 via Redbox
Where watched: at home

Consider also watching:

Further sentences:

*If this is any indication of what’s to come, we have a very exciting filmmaker to watch.
**In this very American story, it was interesting to hear the two leads’ British accents during the making-of bonus features.
***Even people who don’t follow the news will recognize that a plot point involving Black people and a traffic stop doesn’t bode well.
****I went in mostly blind to this film. I heard “really good!” and “women director” and didn’t look further. It’s the kind of film where people might dismiss as too sad, but there’s so much life among the sadness, I would suggest you don’t pass it by.

Questions:

  • What are your feelings about Queen and Slim being viewed as heros?
  • What was your favorite encounter the couple had on their journey?

Favorite IMDB Trivia Item:

According to the writer, the divergent world views of the two protagonists were based on the differences between Martin Luther King, Jr. and Malcolm X.

Other reviews:

Queen & Slim

Emma. is Period Perfect

Emma.

The review:

Autumn de Wilde’s Emma. is a dressed up in confectionery shop color, which shows off the transformation of Emma as she takes on a friend in order to add another match to her successes. Anya Taylor-Joy’s deft performance shows the evolution of Emma, ably aided by perfect supporting performances especially Mia Goth as Harriet and Johnny Flynn as Mr. Knightley.* This is not a period film where we get to know the servants as the focus is singularly on Emma’s circle, but it’s a funny film** and it has a lot of feeling in places,*** not to mention a gorgeous soundtrack.

The verdict: Recommended

Cost: $6.00
Where watched: Laurelhurst Theater (last movie in the theater prior to coronovirus shutdowns.)

Consider also watching:

Further sentences:

*Wondering who Johnny Flynn was, I found he starred in the Netflix comedy Love Sick, which I am currently enjoying quite a lot.
**Bill Nighy as Mr. Woodhouse is always good for a laugh.
***Including one point where the audience gasped aloud.

Questions:

  • What do you think is the key element of success when adapting Emma?
  • How badly do you want to visit that hat shop?

Favorite IMDB item:

The film’s title unconventionally has a period at the end. The director has stated in multiple interviews it is to signify the movie as a “period piece” set in the original era.

Other reviews:

Emma.

Homecoming is a film by Beyoncé

Homecoming A Film by Beyonce

The review:

In Homecoming, Beyoncé and Ed Burke capture the magic of Beyoncé’s 2018 Cochella performance which included a drum line, step dancing, tight choreography, a set that includes risers that look like a pyramid, and the power of Beyoncé’s music.* Interspersed with the action on stage are scenes of the planning and execution of this performance including information about why the show was delayed for a year and all of the personal physical preparation Beyoncé had to take to be ready.** This movie is for anyone who likes pageantry, anyone who likes to see how musical performances are created, and for sure, anyone who loves a drum line.***

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

  • 20 Feet from Stardom
  • Cabin in the Sky (though it’s from 1943 and thus racist, but the performances are great!)
  • Purple Rain
  • Dreamgirls

Further sentences:

*A true confession exposing my unfortunate proclivities to discount contributions by women and by women of color: After the first five minutes, I had the thought, “I wonder how much of this Beyoncé was around for? Did she slide in after it was all choreographed and put together?” This despite the title: Homecoming: A Film by Beyoncé. Luckily for me, Beyoncé (the director!) anticipated that people might wonder such a thing and I soon realized that she was the creator of everything about this incredible performance. I’m calling out my racist and sexist thought to illustrate that I still have discounting thoughts like that, and I need to catch them when they happen.
**I love that she reported her exact weight before she gave birth to twins, and talked about the difficulties of getting her body into a specific shape in time for this performance. It was also painful to watch, and I wish we lived in a world where women could live in the bodies they have after they give birth.
***I am not a follower of Ms. Knowles’s music; I recognized two songs. This did not distract me from loving every minute of this movie.

Favorite IMDB trivia item:

Beyoncé was paid $8 million to perform at Coachella.
(This was the only trivia item)
(Also: good job Beyoncé)

Other reviews:

Homecoming A Film by Beyonce

Portrait of a Lady on Fire is Incendiary

Portrait of a Lady on Fire

The review:

Céline Sciamma’s Portrait of a Lady on Fire is* a movie singularly focused on women in a way that few films are.** There is so much to see in this film, from the way the artist studies her subject surreptitiously, to the way the portrait evolves. It’s also a movie where class barriers are removed, and one that depicts a common issue most movies don’t address; by the end I felt fully immersed in these characters*** and their world.

The verdict: Recommended

Cost: $9.00
Where watched: Living Room Theaters

Consider also watching:

Further sentences:

*It is at this point that I want to insert my original take, texted to my friend: I have now seen Portrait of a Lady on Fire and deem it a slow burn, but very good. There I am, being punny without meaning to. This movie is not concerned about speed, but it earns its viewers’ attention with every deliberate scene.
**Where are the men in this film? I found their absence to be not at all realistic, but also a refreshing tonic. It was like my early undergraduate days, spent at a women’s college. I suspect the lack of men in this film has something to do with the fact that I first heard about this from the Online Female Film Critics 2019 awards shortlist, and heard almost nothing about it for the rest of awards season. Movies without women? Fine. Movies without men? Just not interesting to most of the people who review movies.
***I am also now curious to look up all the previous directorial efforts of Céline Sciamma, and previous movies with Noémie Merlant, Adèle Haenel and Luàna Bajrami

Question:

  • Do you think she was actually on fire, or was it a manifestation?
  • Did you see the page number thing coming?
  • Are movies that remove standard things (men, for instance) to tell their story distracting for the lack of such things, or captivating because of the removal?

Favorite IMDB trivia item:

The literal translation of the original title is Portrait of the Young Girl on Fire. One suspects that “the young girl” was changed to “a lady” for the English title of the film in order to evoke the Henry James novel, The Portrait of a Lady.

Other reviews:

Portrait of a Lady on Fire

Miss Americana: It’s Always Harder if You’re a Woman

Miss Americana

The review:

Lana Wilson shows different facets* of Taylor Swift in Miss Americana from her early days as a teenage country singer to her most current reinvention as a pop superstar.** I’m always a little leery of how accurate the portrayal of the subject is in documentaries of high-profile people—I’m cynical enough to suspect there is some give to get access—regardless, there’s a lot to chew on here.*** Also interesting was seeing how the kids today make music which seems to involve voice recorders on phones and not very many instruments.****

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

  • Amy
  • The Wrecking Crew
  • Homecoming: A Film by Beyoncé
  • 20 Feet from Stardom

(Note: I’m terrible at watching documentaries. This is a list of films I want to see!)

Further sentences:

*From awards show ready in a dress that didn’t let her lift her arms higher than her waist to writing songs without makeup and in lounge wear.
**Swift points out that women artists have to reinvent themselves 20 times more often then men do and that is on full display in this documentary.
***I loved that she discussed how seeing images of herself on a daily basis isn’t good for her and lead to disordered eating. It was interesting to see her weigh speaking out about a particular political candidate with potential fan reaction. The isolation was also interesting, and every scene with her cat was a winner.
****I’m always up for music creation sequences and it’s fun to watch the energy grow as the song comes into being.

Questions:

  • Has a documentary about a musician ever changed the way you thought about that person’s music?
  • What profile of a musician would you like see?

Other reviews:

Miss Americana

Also good: I want to work really hard while society is still tolerating me being successful.

Honey Boy: Sometimes Recovery Means a Fine Movie

Honey Boy

The review:

Alma Har’el’s Honey Boy stuck with me after the credits had rolled, and it excelled at balancing the story of young Otis and his father with older Otis and his PTSD.* The scenes of LaBeouf’s questionable parenting choices were a great counterpoint to the scenes with rehab counselors.** While this movie lacked an ending*** it’s worth seeing for the performances and the nuance around what love looks like when you have a stunted alcoholic dad cheering for you.

The verdict: Good

Consider also watching:

Further sentences:

*LaBeouf’s portrayal of James Lort had his signature mesmer (I found it hard to look away from him) both Otises (Noah Jupe and Lucas Hedges) were great. Noah Jupe was both world-weary, exceedingly cautious, and at times a normal 12-year-old. Lucas Hedges captured the stony resistance of older PTSD Otis.
**Martin Starr! Laura San Giacomo! (Also fun: Byron Bowers as the rehab roommate.)
***Much like the enjoyable directing debut of Jonah Hill: Mid90s

Questions:

  • I had trouble cobbling together a list of complex/abusive father-son movies. Can you think of any?
  • What was the most disturbing aspect of young Otis’s life?

Favorite IMDB trivia item:

Shia LaBeouf was arrested for public intoxication in July, 2017 in Savannah, Georgia. He was ordered to attend a 10-week rehab program, where he discovered that he had PTSD and began writing the screenplay for Honey Boy. Filming for the movie started two weeks after Shia got out of rehab.

Other reviews:

Honey Boy