Tag: Woman Director

Daisies is Art-House Fun

A picture from the film Daisies of Jitka Cerhová and Ivana Karbanová wearing bikinis and sitting against a wall.

Daisies

Directed by Vera Chytilová
Written by Vera Chytilová

The review:

I’m not really your art-film gal,* but this was part of the Filmspotting Overlooked Auteurs Marathon, so watched it, I did. It was weird, but charming** and managed to stay charming even as the young women become more and more puckish.*** I’m never going to watch this again, and probably a lot of it went over my head, but unlike some films,**** I don’t regret my time spent.

The verdict: Good

Cost: Free, via YouTube (Another bonus. It was free and easy to find.)
Where watched: at home

Consider also watching:

Further sentences:

*I can indie drama with the best of them, and I like foreign films, but once surrealism and other arty things enter, I get impatient and wonder how much time is left. This was 75 minutes, so I knew I would make it through.
**One of the first scenes (pictured above) shows Jitka Cerhová and Ivana Karbanová talking about how bored they are. Each arm or head movement is accompanied by a squeak, as if their limbs need oiling. This was fun to watch. I recommend watching for just this scene.
***And I mean that in the rabble rousing, not-so-charming way, rather than the mildly irritating, yet amusing way.
****I’m looking at you, Once Upon a Time in America.

Questions:

  • What’s the first thing you do after you watch a film that you don’t understand?
  • In five years, which scene from this film do you think will stick with you?

Favorite IMDB trivia item:

Banned by Czech authorities upon its release for “depicting the wanton”.

(There is some not-subtle snipping of cylindrical objects that I’m sure had the censors crossing their legs. That was probably enough for the “wanton” designation.)

Other reviews of Daisies:

  • Christina Newland, Little White Lies (This review provides a lot of context and I recommend you read it either before or after you watch)
  • Richard S. He, Birth Movies, Death (also good for context)
Orange background with text: That's what I don't understand. Why does one say "I love you"? Do you understand? Why can't one say, for example, "egg"? —Daisies. Read the three sentence movie review. 3SMReviews.com

Afternoon Delight Turns Up the Tension

A picture of a couple sitting on opposite ends of a couch. The woman is drinking a soda and the man working at his computer. The picture is made with neon lights.

Afternoon Delight

Directed by Joey Soloway
Written by Joey Soloway

The review:

This film tricks you into thinking it’s a kind of rich-people problem, white-woman-depression film, but Soloway is so good at ratcheting up the tension that at the critical juncture I had trouble breathing as I waited for the hammer to drop.* The camera keeps its eye on Kathryn Hahn, which is a treat for the audience because Hahn’s dramatic roles are as good as her comedic ones.** Her relationship with the stripper McKenna*** drives this forward while also catching markers of wealthy moms-with-school-age-kids life.****

The verdict: Recommended

Cost: free via Hoopla, Multnomah County Library’s lesser streaming service.
Where watched: at home

Consider also watching:

Further sentences:

*It also began with a car wash scene that captured the magic I feel whenever I travel through that magical washing machine.
**Check out Private Life for drama and Bad Moms for comedy.
***I watched this movie that prominently features a stripper the same day I wrote a newsletter about how few men have to consider stripper roles when looking for work. There’s a lot to unpack when it comes to stripping as a profession, which I won’t do here, but please know that Juno Temple was the complete package when it came to her character.
****I saw aspects of this life when I worked at a charter school. It strikes me as yet another oppressive part of being a mother that no one talks about. Props also to Annie Mumolo as “Kosher Amanda” who I’ve just realized is “Barb” in Barb and Star go to Vista Del Mar, thus ensuring I will prioritize this film when it appears. She also has a story credit for Joy and co-wrote Bridesmaids.

Questions:

  • What do you think was Rachel’s motivation for bringing McKenna into the household?
  • What do you do to shake up your life when you get stuck?

Favorite IMDB trivia item:

(Also the only IMDB trivia item)
One of Quentin Tarantino’s favorite movies from 2013, according to Variety.

Other reviews of Afternoon Delight:

Orange background. Text: How did the stripper get in the maid's room? —Afternoon Delight. Read the three sentence movie review. 3SMReviews.com

Welcome to Me Was Not a Winner for Me

A picture of Kristen Wiig in the film Welcome to Me.

Welcome to Me

Directed by Shira Piven
Written by Eliot Laurence

The review:

I wasn’t having a great mental health day when I watched this film that attempts to find humor in a mental health crisis,* which made it hard to appreciate this story. Though it was packed with actors I’m always happy to see** and Kristen Wiig’s deadpan performance was exactly what the character needed, I think this movie is best left on the shelf. I suppose you could watch this for the set design, if you were into that.

The verdict: Skip

Cost: free via Kanopy, the Library’s streaming service.
Where watched: at home

Consider watching instead:

Interestingly, the National Alliance on Mental Illness lists Welcome to Me as a movie about mental illness that gets it right. Their other recommendations are:

Further sentences:

*It also had a layer of people taking advantage of a person experiencing a mental health crisis, so I suspect I wouldn’t have liked this even on my best mental health days. I’m not a fan of stories where a person’s weaknesses are exploited for someone else’s material gain.
**Kristen Wiig! Wes Bentley! Linda Cardellini! Joan Cusack! Loretta Devine! Jennifer Jason Leigh! I’m even happy to see James Marsden! Plus both Tim Robbins and Alan Tudyk were in this.

Questions:

  • What parts of Alice’s life rang true to you?
  • What do you think is the best film that depicts an aspect of mental illness.

Favorite IMDB trivia item:

The actress playing Kristen Wiig’s mother is actually director Shira Piven’s mother.

Other reviews of Welcome to Me:

Orange background with text: Come with me. Into another time that happened to me. —Welcome to Me. Read the three sentence movie review. 3SMReviews.com

First Cow Shows off Reichardt’s Skills

A picture of Orion Lee and Toby Jones in the film First Cow

The review:

There’s a sense of peace that comes over me when I watch any Kelly Reichardt film.* Watching Cookie and King-Lu form a friendship and a business in the time of early 19th-century Oregon was a quiet meditation on friendship and dreams of the future. As always, the dialog is sparse, the actors telegraph much,** and the landscape is almost another character.

The verdict: Recommended

Cost: $3.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*It’s the equivalent to those people who find it calming to hear people whisper.
**Watching the actors in a Reichardt film is always a treat, and this pair (John Magaro and Orion Lee) reminded me a lot of Daniel London and Will Oldham in Old Joy. So much unsaid but still said!

Questions:

  • Did you feel the opening of the film unduly influenced your viewing of the film?
  • Why do you think Cookie and King-Lu connected?

Favorite IMDB trivia item:

First Cow (2019) is the first Kelly Reichardt film to receive a PG-13 rating.

(I can’t think why. Language?
Common Sense Media says language, drinking, and smoking.)

Other reviews of First Cow:

Orange background with text: Some people can’t imagine being stolen from. —First Cow. Read the three sentence movie review. 3SMReviews.com

Sword of Trust Pokes Fun, Shows Relationships

A picture of Jon Bass, Marc Maron, Michaela Watkins, and Jillian Bell in the film Sword of Trust.

Sword of Trust

Directed by Lynn Shelton
Written by Lynn Shelton & Michael Patrick O’Brien

The review:

Low-key humor is my favorite thing about Lynn Shelton movies* and Sword of Trust provides a full scabbard. The other thing she does well is to showcase relationships; in this film we get to see a long-term relationship between Cynthia and Mary,** plus how they interact with two pawn shop employees*** when they go to sell the inherited sword that purports to show the South won the Civil War. The film takes a few gentle pokes at internet conspiracies and had more than a couple great scenes with Marc Maron**** that elevate an already solid movie.

The verdict: Recommended

Cost: $5.99, because Matt and I split a month of ad-free Hulu plus some shenanigans with a free trial of Hulu+Showtime because Hulu lied to me and said this movie was available on Hulu.
Where watched: at home

Consider also watching:

Further sentences:

*Though she died in May, I’m not up to writing about her in the past tense.
**Jillian Bell and Michaela Watkins who also starred in the excellent Brittany Runs a Marathon
***Jon Bass’ commitment to his slack jaw was impressive.
****Maron talking about how he came to own the pawnshop plus his interaction with two men harassing the group.

Questions:

  • What’s your favorite part of a Lynn Shelton film?
  • What was the best nickname in this film?

Favorite IMDB trivia item:

Marc Maron scored the film. The blues guitar solos heard throughout were played by him.

Other reviews of Sword of Trust:

Orange background with text: Is this Antiques Roadshow for racists? —Sword of Trust. Read the three sentence movie review. 3SMReviews.com

I Used to Go Here: Winning Failure

A picture of Gillian Jacobs and Rammell Chan in the film I Used to Go Here

I Used to Go Here

Directed by Kris Rey
Written by Kris Rey

The review:

Much as I was charmed by a unique aspect of Kris Rey’s Unexpected, so was I by the flailings* of Gillian Jacobs’ character Kate in I Used to Go Here. It’s the relationships that make this film fun, and the humor is sly and subtle.** There’s a wistfulness to this film that I loved,*** as well as the exuberance of youth viewed by someone past that stage.

The verdict: Good

Cost: $6.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*I love a good woman-flailing movie, especially if the flailing doesn’t have to do with romantic relationships.
**Kate’s book reading is a great example of this.
***There are so many good things to remember about being in college, and so many reasons to be glad you are through those years.

Questions:

  • What do you think Kate will do next?
  • Who was your favorite college student?

Favorite IMDB trivia item:

Kate’s address is given as 4569 N. Baltimore Rd, Chicago, IL 60640 (on the letter to her ex boyfriend), however the building she enters is actually 4623 N. Western Ave, Chicago, IL 60625, and is above Spyners Pub. The interiors may have been shot elsewhere.

Oh, internet, you are so detail oriented!

Other reviews of I Used to Go Here:

Orange background. Text: Personal essay is dead. —I Used to Go Here. Read the three sentence movie review. 3SMReviews.com

The Hitch-Hiker: One More Argument Against Thumbing a Ride

Drawing of the stars of the Hitch-Hiker: Edmond O'Brien, Frank Lovejoy, and William Talman

The Hitch-hiker

Directed by Ida Lupino
Written by Collier Young and Ida Lupino

The review:

Here’s a brief film* about the dangers of picking up hitchhikers** back before the word got compounded. I like a tense drama with few characters and especially loved William Talman’s performance as Emmett Meyers. But mostly, I loved that film had a lot of scenes set in Mexico and the Mexican people featured in the film were not bumbling stereotypes.***

The verdict: Good

Cost: Free via Kanopy, the library’s streaming service
Where watched: at home

Consider also watching:

(Ideally I would recommend a list of tense mid-century noirs. But I haven’t seen enough of them, so we’re going with good car movies.)

  • Speed
  • Drive (I actually hate this movie, so I don’t think you should watch it. Read my review to find out why.)
  • The Italian Job (1969)

Further sentences:

*Seventy-one minutes! Honestly, films like this are a delight, especially if I don’t have to pay for them. Get in, get the story told, get out.
**Born in 1974, I’ve grown up with the clear message that any hitchhiker I picked up would instantly rape and/or murder me, but I know that in the 1950s, hitching was more common. Also, should I stick my thumb out, I’d only be asking for assault or death. Probably both. Is this true? Probably not. But that’s the message that has been pushed since at least the 1970s.
***Kind of a miracle, given the release date.

Questions:

  • Do you think that Collins and Bowen could have done more to overpower Meyers?
  • What was the tensest moment for you?

Favorite IMDB trivia item:

In an interview, Talman recalled an incident that happened shortly after the release of The Hitch-Hiker, in which he gave a chilling portrayal of escaped murderer and serial killer Emmett Meyers. He was driving his convertible in Los Angeles with the top down, and he stopped at a red light. Another driver in a convertible who was stopped next to him stared at him for a few seconds, then said, “You’re the hitch-hiker, right?” Talman nodded, indicating that he was. The other driver got out of his car, went over to Talman’s car and slapped him across the face, then got back in his car and drove off. In recalling the story, Talman said, “You know, I never won an Academy Award but I guess that was about as close as I ever will come to one.”

Other reviews of The Hitch-hiker:

An orange background with text: You guys are soft. You know what makes you that way? You're up to your neck in IOU's. You're suckers! You're scared to get out on your own. You've always had it good, so you're soft. —The Hitch-Hiker. Read the three sentence movie review: 3SMReviews.com

Night Comes On Captures Complex Sister Relationship

Picture of Dominique Fishback and Tatum Marilyn Hall in Night Comes On

Night Comes On

Directed by Jordana Spiro
Written by Jordana Spiro and Angelica Nwandu

The review:

Dominique Fishback (Angel) and Tatum Marilyn Hall (Abby)* play sisters separated due to both foster care and Angel’s time in juvenile detention. As they reunite, each has ulterior motives and it’s marvelous to watch them navigate around those motivations. While this is a movie about Angel seeking vengeance, it plays out in a very real-life, testing-the-waters way.**

The verdict: Good

Cost: Kanopy
Where watched: at home

Consider also watching:

Further sentences:

*I came to this movie after seeing Dominque Fishback in Project Power so I wasn’t surprised how good she was in this role, but Tatum Marilyn Hall was also excellent especially for someone so young.
**Much like as in real life, there are mundane obstacles and complications which shift this film from vengeance to relationships in an interesting way.

Questions:

  • Did you agree with Angel’s choices?
  • What was the best sister moment in this film?

Favorite IMDB trivia item:

(Also the only trivia item)

This film was partially supported by the Adrienne Shelly Foundation, a nonprofit organization that awards grants to female actors, writers, and/or directors of short films, feature films, and documentaries. The foundation was created by Andy Ostroy, the widower of actress, writer, and director Adrienne Shelly, after Shelly was murdered in 2006 at the age of 40.

Other reviews of Night Comes On:

(Metacritic had 15 reviews, 14 of them were by men)

Orange background with a white frame. Text: She used to say the cars in the night could sound like the ocean. Like the waves, running in and out like the tide. You squeeze your eyes tight enough, you could almost see the sun, smell the salt, feel the sand. —Night Comes On. Read the three sentence movie review: 3SMReviews.com

Yes, God, Yes is Amusing, Sweet

Picture of Natalia Dyer in the film Yes, God, Yes

Yes, God, Yes

Directed by Karen Maine
Written by Karen Maine

The review:

One of the hardest things about being a teenage girl is all that sex stuff* and Karen Maine captures one girl’s experience exploring self-pleasure while also balancing what’s being taught at her Catholic school, plus dealing with rumors that have to do with her performing a sex act identified by slang she isn’t familiar with.** While she navigates her own path by mostly trying to stay on her church’s version of the straight and narrow, the rumors spread to the adults in her community and her standing falls. Natalia Dryer is a pro at capturing Alice’s befuddled confusion and growing skepticism in this amusing film.

The verdict: Good

Cost: $6.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*The Madonna/whore thing is a tough needle to thread, plus add in religious and family expectations, peer group expectations, gossip, cultural markers gleaned from the entertainment world, not to mention the possibility of past or current sexual abuse or assault.
**Maine makes the most of her time period: AOL when chat rooms could turn dirty without warning and search functions were minimal.

Questions:

  • What’s the best way to deal with unfounded rumors?
  • How do you think Alice’s friends shaped her choices?

Favorite IMDB trivia item:

No good trivia, instead a quote from Jezebel.com

There’s a lot of really great coming-of-age films, but they often show painful sex. I wanted to see women exploring their own bodies more. American Pie, The Squid and the Whale—there’s a lot of films that show male masturbation. But I wanted to show the female part of it. I definitely want to find other ways to show women portraying new roles in cinema that feel very familiar to the women we are and that we know—but we’re either afraid to talk about, or men have been afraid to show on screen.

Karen Maine

Other reviews of Yes, God, Yes:

Orange background with text: We pretended each marshmallow was a different mortal sin before burning it. Yours was lust. —Yes, God, Yes. Read the three sentence movie review. 3SMReviews.com

Half the Picture is a Full Portrait of Discrimination

Colorful pictures of eyes with movie reels in them. Text: The women behind the camera. The stories behind the women.

Half the Picture

Directed by Amy Adrion

The review:

The talking heads in this movie are all women* and all are talking about how hard it is to get a job as a director in Hollywood. Various areas of discrimination are covered** as many directors get to talk about what they love about directing and what keeps them from their love. One thing I learned: it’s just as hard to break into directing TV episodes as it is to direct feature films.***

The verdict: Good

Cost: free via DVD from the Multnomah County Library
Where watched: at home

Further sentences:

*Nearly all are directors, but there’s a woman from the Sundance Institute who pops in now and then, plus a few academics and a reporter who notes that she’s written the same article about the lack of women directors nine or ten times.
**Directing is “too hard” for women. What about their families? Crews don’t like to listen to women. Women can’t direct action/horror/war/most things. Male critics tend to not “get” movies made by women. Things made by women aren’t as good as things made by men.
***This was interesting to me because I’ve noticed that most women feature film directors intersperse directing films with directing TV episodes. It turns out that if you haven’t directed TV, the powers that be aren’t convinced you can direct it, even if you’ve directed entire movies.

Questions:

  • What do you think the solution is to get more women behind the camera?
  • Who is your favorite woman director?

Other reviews of Half the Picture:

Text: I think people have the impression that being a director is like an athletic weightlifting sport, when actually so much of it is about intimacy and connection and things that women are naturally gifted at. I think so many women feel like they need to take on a persona in order to be able to direct…and that’s just not necessary.—Lena Dunham. Half the Picture. Read the three sentence movie review at 3SMReviews.com