3SMReviews: Wendy & Lucy

3SMReviews: Wendy & Lucy

I avoided Kelly Reichardt’s Wendy and Lucy for years because I was a little too worried about the dog.* Having overcome my fear, I found another quality movie focused on a small slice of life. Michelle Williams brings another quality performance to a Reichardt film and the stakes are high for such a small story.

Cost: free from Multnomah County Library (my Kenton Library branch is very close to the Walgreens where this movie was filmed. There’s a lot of North Portland spotting for those in the know.)
Where watched: at home** in preparation for Filmspotting Madness best of the 2000s

*The dog is fine, I needn’t have worried.
**Matt was half watching. “Is this a crime or horror movie?” he asked when the movie started. I assured him it was neither, as even Kelly Reichardt’s film that involved crime was not a crime film. As the movie ended he said, “I kept waiting for her to be raped, or harmed in some way.” Though I did fear for the dog, I knew that the trouble for Wendy was not going to involve physical harm. That’s not Reichardt’s way. (Slight exception, Night Moves, though it makes sense in the context of that film.)

3SMReviews: On the Basis of Sex

3SMReviews: On the Basis of Sex
(l to r.) Armie Hammer as Marty Ginsburg, Felicity Jones as Ruth Bader Ginsburg, and Cailee Spaeny as Jane Ginsburg star in Mimi Leder’s ON THE BASIS OF SEX. ©Focus Features. CR: Jonathan Wenk / Focus Features.

We welcome Mimi Leder back to the directing fold with On the Basis of Sex, a movie that attempts to illuminate another step on the path to seeing women as people, in this case, via a tax law case adjudicated by the Tenth Circuit Court. Felicity Jones does a great job masking her anger and dismay at the many slights Ruth Bader Ginsberg endures as a “lady lawyer” ahead of her time. I particularly appreciated Cailee Spaney as Jane Ginsberg, who spends a lot of the film not being impressed at all by her mother’s achievements instead issuing multiple cutting remarks.* The movie is a little draggy during the court scene, with much too many reaction shots of the judges, but other than that was a good use of movie-watching time.**

Verdict: good

Consider also watching: Hidden Figures, Bend it Like Beckham, The Runaways

Cost: $5.55 (though free due to gift card)
Where watched: Regal City Center Stadium 12

*According to an article in Vanity Fair, she was exiled to TV directing because of Pay it Forward. This is her first movie since 2000. I liked Pay it Forward.
*Something masochistic in me really enjoys that hyper critical stage of adolescence depicted on screen. Also, Armie Hammer also was quite good at Marty Ginsburg’s supportive husband role.
**Also, that last suit Felicity Jones wears as she walks up the steps of the Supreme Court? Amazing! The very last shot of the movie? Perhaps a bit pandering. Discuss.

3SMReviews: Gossip Girl Season 1

3SMReviews: Gossip Girl Season 1

Gossip Girl Season 1 provides many things: a quality overwrought drama full of (mostly) bad people making bad decisions; an insight into cutting-edge technology of 2006; performances that range from very good,* to adequate,** to subpar.*** This is not a good show, and it can’t be mistaken for quality television, but it is very, very good bad television. I’m not confident that it will be able to sustain it’s very good badness through another season, much less five more seasons, but this season was a great gift.

Verdict: Good

Cost: Monthly Netflix subscription
Where watched: at home

*Alas, only Kristen Bell as the unseen Gossip Girl, but maybe possibly Kelly Rutherford as Lily van der Woodsen. I can’t tell if she’s great at playing an ice queen, or is actually an ice queen.
**Blake Lively as Serena van der Woodsen, Taylor Momsen as Jenny Humpry
***To varying degrees, everyone else.

3SMReviews: The Gleaners and I

3SMReviews: The Gleaners and I

The Gleaners and I was my first Agnes Varda film and I suspect it won’t be my last, even though I don’t watch documentaries all that often. Varda examines gleaners–from those groups of women depicted in paintings, to the individuals who glean today in the fields, or on the city streets.* Varda sometimes wanders a little far afield from her topic, but her delight at all things made for a good movie and the information about produce wasted provides much to think about.**

Verdict: Good

Cost: free from library
Where watched: at home in preparation for Filmspotting Madness 2019

*Given what they glean we might call them by more judgmental names.
**Yes I did just stop myself from typing “food for thought.”

Poster clipped from: https://www.festival-cannes.com/en/films/les-glaneurs-et-la-glaneuse#pid=7038

3SMReviews: Ginger & Rosa

3SMReviews: Ginger & Rosa

Ginger and Rosa is a movie directed by Sally Potter and set in 1962 London. It’s full of 1962 stuff and run-of-the-mill adolescent stuff including questioning authority, ill-advised experimentation with alcohol, and sleeping with the wrong guy. It all unfolded in a predictable way, but I’m a fan of Elle Fanning and Christina Hendricks, and I’m always up for an Oliver Platt sighting.

Cost: free via Kanopy
Where watched: at home, because a New Year’s Eve double feature is the best way to end the year.

3SMReviews: Anne with an “E” seasons 1 and 2

3smreviews: Anne with an E

Anne with an “E” takes the Anne of Green Gables story and characters, grounds it in a trauma-informed viewpoint and steers the series in a different direction than the books.* Amybeth McNulty as Anne carefully balances the tightrope that is Anne’s enthusiasm and (potentially annoying) unbridled joy. The rest of the supporting players are very good, especially Geraldine James and R.H. Thomson as Marilla and Matthew;** plus they have cast the excellent Lucas Jade Zumann*** as Gilbert Blythe.

Cost: Netflix monthly subscription fee ($7.99)
Where watched: at home
Adapted from the book: Anne of Green Gables

*I’ve talked to two people who say that the 1985 Megan Follows Anne of Green Gables was THE Anne of Green Gables and there is no reason to ever make another version. One was rather vehement in her statement. I disagree with this view. After all, I watched four versions of the same movie this year. All were made in different decades and brought different things to their recycled plot. Just like this version’s focus on how Anne’s time as an orphan would reverberate even after she was adopted.
**Also quite good: the belt Geraldine James wears throughout the series.
***Who was so amazing in 20th Century Women

3SMReviews: Leave No Trace

3SMReviews: Leave No Trace

In Debra Granik’s Leave No Trace, Ben Foster and Thomasin McKenzie do more with less acting as a father/daughter pair living in a city park* This movie is Tom’s coming of age story as the discovery of their home-in-the-park sets her and her father into “real life” and wakes Tom’s typical adolescent yearning for something different.** Chock full of good, quiet acting by both leads and by a handful of smaller performances (Dale Dickey was particularly good as was Isaiah Stone**), this is a quiet movie of growing up.

Cost: $3.99 via Google Play because I didn’t get around to watching it when it was on Netflix.
Where watched: at home.

*Forest Park, in my own Portland, Oregon. It’s a huge park with trails for miles. This movie is based on a book that was inspired by the mid-2000s discovery of a father/daughter pair living in Forest Park. The story was well-covered by the local media and has stuck with me.
**Not that this leads to acting out like most teenagers would. This entire movie is full of small moments and subtle performances.
***Both actors were also in Granick’s very excellent Winter’s Bone

3SMReviews: Dumplin’

3SMReviews: Dumplin'

Anne Fletcher’s does a great service in her movie Dumplin‘; she populates it with actors of all sizes.* But aside from that, she weaves a good story with enjoyable performances by Danielle MacDonald and the other friends of Willowdean.** While this movie is probably not one for the ages, it is the best at what it’s trying to do, which made for a delightful experience right now.

Verdict: Recommended

Cost: Netflix monthly subscription ($7.99)
Where watched: at home

*Have you been to the mall lately? Or any gathering of normal people? We don’t look like any gathering of people in movies. I’d love to see the movie world look more like the real world.
**I was happy to see Odeya Rush, so very good in Lady Bird as the mostly vapid pretty rich girl. Harold Perrineau was also very good as Willowdean’s friend Lee. (And IMDB reminds me that he was a very good Mercutio 22 years ago in Romeo + Juliet!)

3SMReviews: Can You Ever Forgive Me

3SMReviews: Can You Ever Forgive Me

Marielle Heller achieves the ultimate in Can You Ever Forgive Me. She gives us a movie about an unlikable character* and provides us with enough details so we can feel sympathy and like that character. Part of the credit goes to the marvelous Melissa McCarthy, who excels in a person who can’t let anyone in, and feels love only for her cat.**

Verdict: Recommended
Consider also watching: Heller’s excellent The Diary of a Teenage Girl

Cost: $5.55 (though free due to gift cards)
Where watched: Regal City Center Stadium 12.

*A post-40, lesbian, fat woman to be precise.
**I also love that this movie was not about a total transformation of this very flawed character.

poster from: http://www.impawards.com/2018/can_you_ever_forgive_me.html

3SMReviews: Beau Travail

3SMR: Beau Travail
http://internationalfilmstudies.blogspot.com/2018/09/beau-travail-france-claire-denis-1999.html

Never has the Male Gaze been so thoroughly applied to men (by a woman director*) as in Beau Travail. “This movie has not plot,” I whispered to my cat halfway through and while it does have a loose plot, most of the movie consists of languid observations of a small band of French Foreign Legion solders in Djibouti. To reach full mesmer, it’s probably best watched in a dark theater on a day with not much else to do.

Verdict: Good

Cost: free from library
Where watched: at home, in preparation for Filmspotting Best of the 2000s March Madness

*Young, fit military men are rather mesmerizing.