Tag: Musicals

Summarizing June 2021

Listen to hear me refer to the June summary as the May summary two-thirds of the time, find out why I think In the Heights was such a success, and learn why I have the same movie in both the Skip and the Good category.

Things mentioned in this post:

Created by women: In the Heights was written by Quiara Alegría Hudes, Life Partners was directed by Susanna Fogel and written by Susanna Fogel and Joni Lefkowitz, and Away We Go was written by Vendela Vida and Dave Eggers.

American Utopia Will Get You in the End

David Byrne and cast members of American Utopia.

David Byrne’s American Utopia

?Directed by Spike Lee?
?Written by David Byrne?

The review:

It’s not yet been a year since I watched Jonathan Demme’s movie of the Talking Heads’ concert Stop Making Sense* and I was looking forward to this David Byrne/Spike Lee collaboration for which there was much gushing about among the critics. For three-quarters of the film I found it very striking visually and musically, and I wondered what all the gushing was about, but then there was his cover of “Hell You Talmbout” and I, too, could be counted among the converted.** I found that Spike Lee and I sometimes disagreed about what I wanted to be looking at on stage*** but since I couldn’t be there in person, I thank him for letting me see his vision.****

The verdict: Good

Cost: Monthly HBOMax charge ($12.99)
Where watched: at home

Consider also watching:

Further sentences:

*And was more than dazzled.
**It was one of this, “Oh, holy crap, this is incredible” movie moments.
***Demme knew better what I wanted to see.
****At times, this felt a little like watching a very talented marching band, in all the best ways.

Questions:

  • Who was your favorite performer?
  • What was your favorite song?

Favorite IMDB trivia item:

If you look carefully, you will notice small spheres on the shoulders of all of the suits. These are tiny BlackTrax infrared transmitters which enable the lights to automatically track performers as they move around the stage. When they leave the stage to march through the theater, you will notice some of these trackers glowing slightly.

Other reviews of American Utopia:

The Prom: A Bunch of Movie People Doing Theater in a Movie

Ryan Murphy and the extended cast of the 2020 Netflix feature: The Prom

The Prom

Directed by Ryan Murphy
Written by Bob Martin and Chad Beguelin

The review:

The Prom is a not-terrible adaption of what was probably a not-terrible Broadway production and includes at least one song that earwormed its way into my brain for an extended period of time.* The story of washed up Broadway stars who decide to step in and “help” when a gay teen from Indiana** is excluded from bringing her girlfriend to prom, this is a of-the-moment story that will hopefully look quaint in about ten years. Jo Ellen Pellman is fresh faced as Emma Nolan, the gay teen in question and the four leads (Meryl Streep, James Corden,*** Nicole Kidman,**** and Keegan-Michael Key) give their best razzle dazzle performances.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*I cannot remember which song it is, but I’m not going to go and re-expose myself to the earworm.
**If Hoosiers is the apex of Indiana-positive films, this is the opposite.
***A straight man playing a gay man, which has been criticized.
****She seems to be having fun in this stage of her career.

Questions:

  • What is that magical pixie dust that makes a movie musical feel like something more than a placeholder for those of us who don’t make it to Broadway?
  • What was your favorite number?

Favorite IMDB trivia item:

Although the original actors from Broadway auditioned for the role, Ryan Murphy decided to go with the “star-filled” cast. This is sadly ironic, as the stage version was designed to give leads to actors who had spent their entire career in supporting roles, such as Beth Leavel, Brooks Ashmanskas, Angie Schworer and Christopher Sieber, whose roles in the film are played by Streep, Corden, Kidman and Rannells, respectively.

Other reviews of The Prom:

Orange background with a white frame. Text: We have come to show this community that gay people, and gay positive icons such as myself, are made of the same flesh and blood as they are. —The Prom. Read the three sentence movie review 3SMReviews.com

Queen Latifah and Mo’Nique Dazzle in Bessie

Queen Latifah as Bessie Smith in the film Bessie.

Bessie

Directed by Dee Rees
Written by Dee Rees, Christoper Cleveland, Bettina Gilois

The review:

The always remarkable Queen Latifah gives us a tutorial of blues singer Bessie Smith’s rise to fame and fortune including the usual downturn that comes with biopics of performers. First cast in this film in 1997, Latifah delivers a very physical performance* with a ton of nuance. Mo’Nique also is amazing as Ma Rainey, the singer who teaches Smith the value of performance, and alerts her to the many people who are standing by to cheat blues singers out of their money.

The verdict: Good

Cost: Free. Borrowed the DVD from the Multnomah County Library
Where watched: at home

Consider also watching:

  • Ma Rainy’s Black Bottom
  • Ray
  • Dreamgirls
  • We are the Best (because I can’t not recommend this punk rock girl film every chance I get)

Further sentences:

*Aside from knock-down-drag-out fights, there is also enough enthusiastic sex to remind you that your generation wasn’t the first to invent sex.

Questions:

  • What was your favorite performance scene in Bessie?
  • Do you prefer Mo’nique or Viola Davies as Ma Rainey?

Favorite IMDB trivia item:

Charles S. Dutton, who plays Pa Rainey, made his Broadway debut in 1984 in August Wilson’s play Ma Rainey’s Black Bottom.

Other reviews of Bessie:

Orange background with a white frame. Text: I ain't playing second to nobody! —Bessie. Read the three sentence movie review. 3SMReviews.com

Punks and Aliens Learn How to Talk to Girls at Parties

Alex Sharp and Elle Fanning in the film How to Talk to Girls at Parties

How to Talk to Girls at Parties

Directed by John Cameron Mitchell
Written by Philippa Goslett and John Cameron Mitchell

The review:

Having gone into this film without knowing anything about it, I was surprised when a cute film about three kids into punk music took a very galactic turn.* While I found a lot of the alien stuff to be focused on worries of straight fourteen-year-old boys, I thought all the alien set decoration was very fun, especially when compared to the punks.** I don’t think this movie holds together very well, but it’s interesting to look at, I enjoyed both Fanning and Sharp, and there was a recurring joke about the alien music I found amusing.***

The verdict: Good?

(There were just enough elements to push this from Skip to Good, but it’s barely over the line. Proceed with caution.)

Cost: free via Hoopla, one of Multnomah County Library’s streaming services.
Where watched: at home

Consider also watching:

  • Teen Spirit (a serviceable movie about music set in Britain and starring Ellen Fanning.)
  • Starman
  • Side note: this film is currently ranked #15 on the IMDB List “Most Popular Alien Disguised As Human Movies and TV Shows”
  • And, I have no other suggestions.

Further sentences:

*I found my way to this film because I enjoyed Alex Sharp in The Hustle and this was an easily accessible film he starred in, plus I like Elle Fanning. The summary of the film begins, “An alien touring the galaxy breaks away from her group and meets…” Had I read that before watching, I would have been prepared for the strange alien turn. Because I was not, I was probably more amused at this film than I would have been.
**Or, for that matter, Enn’s home.
***Ethan Lawrence describing the aliens’ music at the record shop and to a DJ cracked me up.

Questions:

  • What’s your favorite human/alien film?
  • You’ve just watched this film. Do you think you wasted your time?
  • Have you read Neil Gaiman’s original short story on which this was based? How do the two compare?

Favorite IMDB trivia item:

American DJ James Murphy developed a new genre for the soundtrack, described as “extraterrestrial dance music”.

Other reviews of How to Talk to Girls at Parties:

Orange background with a white frame. Text: Evolve or die, love. —How to Talk to Girls at Parties. Read the three sentence review. 3SMReviews.com

Coming of Age with Northern Soul

A picture of Elliot James Langridge in the film Northern Soul

Northern Soul

Directed by Elaine Constantine
Written by Elaine Constantine

The review:

Northern Soul is a fine niche* coming-of-age movie from the usual male point of view. I loved the setting and all of the grimy details, especially the intersection of drug use and the dance scene.** While it follows the usual coming of age/drug use trajectories, the enthusiasm for Northern Soul music makes this a fun watch.

The verdict: Good

Cost: free via Hoopla, one of Multnomah County Library’s streaming services.
Where watched: at home

Consider also watching:

Further sentences:

*The niche in question is Northern Soul music which Wikipedia tells me is “a music and dance movement that emerged in Northern England and the English Midlands in the late 1960’s from the British mod scene, based on a particular style of black American soul music…with a heavy beat and fast tempo.” You can read more here, including the information about how the lesser or unknown tracks were the most popular Northern Soul music. A plot point hinges around this.
**At times, it seemed that the big pops of color were the uppers the characters were taking.

Questions:

  • What music was your coming of age music?
  • Would you have been into Northern Soul in the early 1970s? (Or were you?)

Favorite IMDB trivia item:

Was originally only meant to be playing in five screens across the UK but due to high demand it got a blanket release of over 160 screens

Other reviews of Northern Soul:

Orange background with a white frame. Text: Listen, you! This is Northern Soul, not Northern Arsehole! —Northern Soul. Read the three sentence movie review. 3SMReviews.com

High School Musical Meets Its Goal

Picture of Corbin Bleu, Monique Coleman, Zac Efron, Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel in High School Musical

High School Musical

Directed by Kenny Ortega
Written by Peter Barsocchini

The review:

This movie is very good at what it sets out to do which is entertaining children.* As such, it features some perfectly serviceable performances done by a variety of attractive actors playing teenagers, some fun dance sequences, very forgettable songs** and a clear message.*** I found myself wondering if Zac Efron’s one-foot-on-wall lean**** was something he came up with, or was directed to do.

The verdict: Good (at what it sets out to do)

Cost: Disney+ Hulu monthly fee ($12.99)
Where watched: at home. I also sampled the Suite Life Movie to catch Cole Sprouse when he was an actual teenager and Right on Track to see Brie Larson when she was a teenager. I didn’t make it past the fifteen-minute mark for either of those films.

Consider also watching:

Further sentences:

*As I’ve revisited some live-action Disney films I loved in my childhood, I have discovered that they also were very good at entertaining children, and are not the quality film experience I’ve grown to appreciate as an adult.
**Mediocre forgettable is always better than mediocre and catchy.
***We can all work together!
****Which makes me think of 70’s catalog fashion modeled by men.

Questions:

  • How would you evaluate Zac Ephron’s career since High School Musical?
  • What’s your favorite not-really-good-yet-fun movie?

Favorite IMDB trivia item:

The movie was filmed at East High School in Salt Lake City, Utah. Students still use Sharpay’s pink locker.

Also this:
Zac Efron’s singing voice was that of Drew Seeley, who tested for the role of Troy. Seeley sang the entirety of “Get’cha Head in the Game” and the reprise of “What I’ve Been Looking For.” Efron only sings the first four lines of “Start of Something New,” the first sentence of “Breaking Free,” and during the scene on the balcony. The reason for this is because Efron’s natural voice was too low for that of a tenor and the producers wanted a tenor to match the role. Efron did, however, do all of his own singing in the sequels, as all the music in those films had been tailored specifically for his voice.

Other reviews of High School Musical:

Orange background with a white frame. Text: Look, you're a hoops dude. Not a musical singer person. Have you ever seen Michael Crawford on a cereal box?--High School Musical. Read the three sentence movie reivew: 3SMReviews.com

Hamilton: For Those Who Missed the Theater Experience

A picture of Daveed Diggs, on stage as Thomas Jefferson in Hamilton (he's so great!)

Hamilton

Directed by Thomas Kail
Written by Lin-Manuel Miranda

The review:

Recreating live theater experiences on film* is a tricky feat, and I’m pleased that this effort was a successful one.** I’m also thankful I can see a simulation of what everyone was talking about five years ago.*** I found this to be a deeply nerdy musical**** which didn’t take away from how enjoyable it was; my standouts were Renée Elise Goldsberry as Angelica, Jonathan Groff as King George,***** and Daveed Diggs, who was good as Lafayette, and amazing as Thomas Jefferson.

The verdict: Recommended

Cost: $13.00? (Matt signed us up for some combo Hulu/Disney+ deal which we will evaluate if we will continue.)
Where watched: at home with Boyfriend Matt

Consider also watching:

Further sentences:

*Or “film” given that digital has taken over.
**Other “live” experiences I’ve taken in this year that were great: Homecoming, a Flim by Beyonce, Stop Making Sense. (Those are both concerts, though, not theater.)
***My plan was to see Hamilton on it’s second run through Portland as it was impossible to get tickets in my price range during the inaugural run. It looks like theater is paused for the foreseeable future, so I’m glad this option was available.
****Musicals are already the nerdiest of performance mediums. (And I say this as a big fan of musicals) Layering on a studious biography about early American politics increased the nerd factor exponentially.
*****I had no idea about this character and enjoyed him so much. “Sweetheart, it’s a domestic violence song!” I exclaimed during his first number.

Questions:

  • Who gave your favorite performance?
  • What’s your favorite stage-to-screen musical adaptation?

Favorite IMDB trivia item:

Filmed over the course of three days in June 2016. It started by filming a live Sunday matinee performance with cameras in the audience, after which the cast and crew spent the rest of the day and evening filming close-ups, dolly shots, and crane shots. Filming continued all day Monday (normally the cast’s day off) with more close-ups and Steadicam footage. More filming took place on Tuesday morning, before shooting another live performance on Tuesday evening, with cameras again in the audience but in different positions. Lin-Manuel Miranda said, “It was basically a three-day film shoot with the best-rehearsed cast in the history of the movies, ’cause we’d all been doing the show for a year at this point.”

Other reviews of Hamilton:

Text says: I know I talk too much, I'm abrasive. —Hamilton. Read the three sentence movie review 3SMReviews.com

The Cotton Club Encore: Ignore the Gangsters

Photo of Gregory Hines in the Cotton Club Encore

The Cotton Club Encore

Directed by Francis Ford Coppola
Written by William Kennedy and Francis Ford Coppola

The review:

I’ve not seen the original, but this encore version has a not-interesting gangster story interspersed with incredible vocal and dance performances by the entertainers performing at the Cotton Club.* Richard Gere wanders around in dark sun glasses playing his coronet** looking troubled, while meanwhile Gregory Hines has actual problems*** It’s fun to see actors looking young**** but this is a very long movie that has its focus on the wrong thing.

The verdict: Skip

(or watch it and fast forward to the performance scenes)

Cost: $1.99 via Redbox OnDemand
Where watched: at home

Consider also watching:

Further sentences:

*That’s right! You can fast forward through all of the gangster plot and just hang out at the Cotton Club.
**Much is made of the fact that Gere is really playing that coronet.
***Making the choice between being a solo act or sticking with his brother; being in love with a woman who makes choices that make it difficult to be in a relationship with her; the fact that he’s underpaid because his artistry can be exploited.
****1984 was kind of a long time ago, it turns out. Gere, Gregory Hines, Diane Lane (very young!) Nicolas Cage (also very young!) Bob Hoskins, and Laurence Fishburne.

Questions:

  • Have you ever watched a film for reasons other than the main plot?
  • What’s your favorite “performances” film?

Favorite IMDB trivia item:

Laurence Fishburne’s character, Bumpy Rhodes, was based on real-life Harlem gangster Ellsworth “Bumpy” Johnson. Fishburne would play Bumpy in Hoodlum (1997) 13 years later.

Other reviews of The Cotton Club:

Text: You've got about as much style as a bowl of turnips. —The Cotton Club Encore. Read the three sentence movie review: 3SMReviews.com

Wild Rose is Not Country & Western

Wild Rose

Wild Rose

Directed by Tom Harper
Written by Nicole Taylor

The review:

Tales of striving artists tend to be complicated and none more so than when those striving artists are women.* So it was interesting to see Jessie Buckley walk the line** between paroled convict, mother, and aspiring singer, not to mention Julie Walters trying to find a middle ground as Buckley’s mother. Aside from the art/family debate, there was also some good stuff around class, a wonderful soundtrack, and great musical performances.

The verdict: Recommended

Cost: $2.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*Because the way things are set up right now there’s a lot of things women have to do on a daily basis before they can get to the art.
**Ha!

Questions:

  • What was the best choice Rose-Lynn made?
  • Which was your favorite performance?

Favorite IMDB trivia item:

Glasgow’s Grand Ole Opry can also be visited, on Govan Road. It specializes in country music.

Other reviews of Wild Rose:

Wild Rose