Happiest Season: A Lot of Great Performances by Women

Mackenzie Davis and Kristen Stewart in Happiest Season

Happiest Season

Directed by Clea DuVall
Written by Clea DuVall & Mary Holland

The review:

Astute readers* will remember how I’m always going on about the lack of good roles for women and I’m here to say that Happiest Season, a story about two women who love each other, who are heading to one of their family homes for Christmas, provides an entire movie with juicy roles for women.** This film captures a couple at a time in their relationship where it’s a little hard to root for them, but that just makes it all the more fun to watch.*** Aside from being big fans of most of the people in this movie, I thought Aubrey Plaza turned out her best performance in years.

The verdict: Good

Cost: Monthly Hulu charge of $6.00 (because bundled with Disney+)
Where watched: at home

Consider also watching:

Further sentences:

*Or those just passing by.
**This inverts the usual formula. Rather than a bunch of men and one woman, we’ve got a bunch of women and one man playing a side character.
***Plus, it can give you some compassion practice. What if you hadn’t found the courage to come out to your parents yet? What if you had to juggle that with the usual going-home teenager-esque feelings? What if sibling relationships made everything more complicated? I get that Harper isn’t making good choices, but I feel for her. (Plus, Mackenzie Davis was in Tully, and I will love her forever for that.)

Questions:

  • Were you rooting for, or against?
  • Your worst acting-like-a-teenager-though-a-full-grown-adult-while-visiting-parents moment. Go!

Favorite IMDB trivia item:

In Harper’s old room there’s a poster of Josh Hartnett. The film’s director, Clea DuVall, co-starred with Hartnett in The Faculty (1998).

Other reviews of Happiest Season:

Orange background with a white frame. Text: Have you managed to get a man's permission to take ownership of an adult, human woman yet? —Happiest Season. Read the three sentence movie review. 3SMReviews.com

Kurt Russell is Fun in The Christmas Chronicles

Darby Camp, Judah Lewis, and Kurt Russell in The Christmas Chronicles.

The Christmas Chronicles

Directed by Clay Kaytis
Written by Matt Lieberman

The review:

Like many Christmas films, this starts in the land of sad* so that we can find the true meaning of Christmas and get to the land of happy. The film brings Christmas magic by showing a brief glimpse of Santa caught on video which leads to an attempt to capture Santa** in action once again. There are hijinks, a ticking clock, some Santa magic, and even a blues performance in this very nice Christmas film.

The verdict: Good (-ish)

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*In this case, Teddy and Kate are sad because their fireman father has died.
**The always charming Kurt Russell. I could have done without his constant griping about being mistyped as fat.

Questions:

  • Why is Kurt Russell so damn charismatic?
  • What’s your favorite Christmas film with children as main characters?

Favorite IMDB trivia item:

Santa’s list includes several of Kurt Russell’s grandchildren.

Other reviews of The Christmas Chronicles:

Orange background with a white frame. Text: Trading in eight reindeer for 400 horses! —The Christmas Chronicles. Read the three sentence movie review. 3SMReviews.com

The Prom: A Bunch of Movie People Doing Theater in a Movie

Ryan Murphy and the extended cast of the 2020 Netflix feature: The Prom

The Prom

Directed by Ryan Murphy
Written by Bob Martin and Chad Beguelin

The review:

The Prom is a not-terrible adaption of what was probably a not-terrible Broadway production and includes at least one song that earwormed its way into my brain for an extended period of time.* The story of washed up Broadway stars who decide to step in and “help” when a gay teen from Indiana** is excluded from bringing her girlfriend to prom, this is a of-the-moment story that will hopefully look quaint in about ten years. Jo Ellen Pellman is fresh faced as Emma Nolan, the gay teen in question and the four leads (Meryl Streep, James Corden,*** Nicole Kidman,**** and Keegan-Michael Key) give their best razzle dazzle performances.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*I cannot remember which song it is, but I’m not going to go and re-expose myself to the earworm.
**If Hoosiers is the apex of Indiana-positive films, this is the opposite.
***A straight man playing a gay man, which has been criticized.
****She seems to be having fun in this stage of her career.

Questions:

  • What is that magical pixie dust that makes a movie musical feel like something more than a placeholder for those of us who don’t make it to Broadway?
  • What was your favorite number?

Favorite IMDB trivia item:

Although the original actors from Broadway auditioned for the role, Ryan Murphy decided to go with the “star-filled” cast. This is sadly ironic, as the stage version was designed to give leads to actors who had spent their entire career in supporting roles, such as Beth Leavel, Brooks Ashmanskas, Angie Schworer and Christopher Sieber, whose roles in the film are played by Streep, Corden, Kidman and Rannells, respectively.

Other reviews of The Prom:

Orange background with a white frame. Text: We have come to show this community that gay people, and gay positive icons such as myself, are made of the same flesh and blood as they are. —The Prom. Read the three sentence movie review 3SMReviews.com

Queen Latifah and Mo’Nique Dazzle in Bessie

Queen Latifah as Bessie Smith in the film Bessie.

Bessie

Directed by Dee Rees
Written by Dee Rees, Christoper Cleveland, Bettina Gilois

The review:

The always remarkable Queen Latifah gives us a tutorial of blues singer Bessie Smith’s rise to fame and fortune including the usual downturn that comes with biopics of performers. First cast in this film in 1997, Latifah delivers a very physical performance* with a ton of nuance. Mo’Nique also is amazing as Ma Rainey, the singer who teaches Smith the value of performance, and alerts her to the many people who are standing by to cheat blues singers out of their money.

The verdict: Good

Cost: Free. Borrowed the DVD from the Multnomah County Library
Where watched: at home

Consider also watching:

  • Ma Rainy’s Black Bottom
  • Ray
  • Dreamgirls
  • We are the Best (because I can’t not recommend this punk rock girl film every chance I get)

Further sentences:

*Aside from knock-down-drag-out fights, there is also enough enthusiastic sex to remind you that your generation wasn’t the first to invent sex.

Questions:

  • What was your favorite performance scene in Bessie?
  • Do you prefer Mo’nique or Viola Davies as Ma Rainey?

Favorite IMDB trivia item:

Charles S. Dutton, who plays Pa Rainey, made his Broadway debut in 1984 in August Wilson’s play Ma Rainey’s Black Bottom.

Other reviews of Bessie:

Orange background with a white frame. Text: I ain't playing second to nobody! —Bessie. Read the three sentence movie review. 3SMReviews.com

Mank: Amanda Seyfried Shines

Amanda Seyfried and Gary Oldman in the film Mank

Mank

Directed by David Fincher
Written by Jack Fincher

The review:

The film that made me wonder if Fincher is feeling old and worn out.* While I can see what he’s doing there with the looping plot and the black and white and the deeper meaning, Herman J. Mankiewicz was not someone I was super interested in,** Gary Oldman’s fine performance notwithstanding.*** However, this is probably worth watching just for Amanda Seyfried, who was excellent as Marion Davies, and it was a solid depiction of Old Hollywood.****

The verdict: Good (ish)

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*His father wrote the original script, so perhaps it was the elder Mr. Fincher who was feeling very beat down.
**You can catalog this under: Tales of a Privileged White Man Who Wastes His Talents and is Generally Horrible to All, Volume 3,458,721.
***Although I really wish they would equalize their age-wise ridiculous casting. Gary Oldman was born in 1958 and is playing a 43-year-old man. Tuppence Middleton was born in 1987 and is playing his similarly aged wife.
****You know, when it was just some fun hijinks to have the stenographer sit around with pasties on.

Questions:

  • How many more films of this ilk will be made before we move on to a more interesting angle? (Like say, the story of that stenographer with the pasties.)
  • What’s your favorite movie about making a movie?

Favorite IMDB trivia item:

The presenter announcing the Academy Award for best original screenplay to Mankiewicz and Welles at the end of the movie is played by Ben Mankiewicz, a grandson of Herman J. Mankiewicz. Ben Mankiewicz is a presenter for Turner Classic Movies, which frequently airs films by Herman Mankiewicz and his brother Joseph. Ben’s father, Frank, is portrayed briefly in Mank by the uncredited child actor Matteo Menzies.

Other reviews of Mank:

Orange background with a white frame. Text: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty. Read the three sentence movie review 3SMReviews.com

The Thanksgiving I Finally Watch Planes, Trains & Automobiles

A picture of Steve Martin and John Candy in the film Planes, Trains & Automobiles.

Planes, Trains, and Automobiles

Directed by John Hughes
Written by John Hughes

The review:

2020 is the year I finally watch this John Hughes classic film!* I found it to be an amusing road trip in that very 80s way and I was reminded of the humanity John Candy brought to his misfit characters.** While I don’t think this will become a Thanksgiving tradition, this is an enjoyable bit of classic 80s cinema.***

The verdict: Good

Cost: $2.99 via Google Play
Where watched: at home

Consider also watching:

  • Uncle Buck
  • Ferris Bueller’s Day Off
  • Mr. Mom

Further sentences:

*In looking at the films he directed, I’m not sure if I’ve seen Weird Science or not, and I know I’ve not seen Curly Sue, but the rest of the filmography bridges my elementary school through my junior high years. Kids were talking about Sixteen Candles in 1984, which was about four years before I was old enough to watch it, and I remember getting dropped off at the theater with my friend Laurie to watch Uncle Buck. (Apparently I already wrote about this in 2010.)
**RIP John Candy
***It was also fun to see the bits in the film I remember people recounting to me over the years. (“You haven’t seen Planes, Trains & Automobiles? There’s this classic scene where…”)

Questions:

  • What’s your favorite John Candy role?
  • What’s your favorite zany road comedy?

Favorite IMDB trivia item:

On instruction from John Hughes, Edie McClurg’s role as the St. Louis rental car agent was partially improvised. Hughes told her to simply riff a fake phone conversation with someone about Thanksgiving plans while Steve Martin remains waiting in line staring at her to finish up. McClurg came up with the idea to speak with her sister about who was going to make what adding “You know I can’t cook!” Hughes asked her how she came up with those lines so quickly and she replied that, like his scripts, she just drew it from her own life. McClurg claims to this day that random people ask her to tell them they’re fucked.

(All hail Edie McClurg who will forever be Patty Poole the neighbor in the
television show Valarie/The Hogan Family)

A picture of Edie McClurg in the film Planes, Trains & Automobiles

Other reviews of Planes, Trains, and Automobiles:

  • Sheila Benson, Los Angeles Times
  • Janet Maslin, New York Times (I can’t get a working link, but the excerpt says: Mr. Martin and Mr. Candy are an easy twosome to watch even with marginal material, though, and the film is never worse than slow.)
Orange background with a white frame. Text: Quote: Those aren't pillows! —Planes, Trains, & Automobies. Read the three sentence movie review 3SMReviews.com

Mr. Jealousy: Good Early Baumbach

A picture of Eric Stoltz's head with a sketch that makes him look like the devil. Text: Mr. Jealousy

Mr. Jealousy

Directed by Noah Baumbach
Written by Noah Baumbach

The review:

In 2015, Noah Baumbach’s Mistress America would give us a screwball comedy; 18 years before that film Baumbach gave us a glimmer of coming attractions with an amusing tale of a jealous boyfriend who joins a therapy group to learn more about his girlfriend’s ex-boyfriend.* As with most Baumbach films, the people on screen aren’t ones you want to hang out with, but boy howdy are they interesting.** As the situation becomes more complex and the tension builds, Eric Stoltz, Annabella Sciorra, and Carlos Jacott*** really turn up the humor.

The verdict: Good!

Cost: Free via Kanopy, Multnomah County Library’s Streaming Service
Where watched: at home

Consider also watching:

Further sentences:

*I know! Can you imagine? And there’s the further complication that he pretends to be his best friend so as to remain anonymous.
**Unlinke most other Baumbach films, this also includes a cast member who is a person of color.
***Also fun: Peter Bogdanovich, director of a lot of really good films, plays the group therapist.

Questions:

  • Joining group therapy to get details on your girlfriends ex, how shady is that on a 1–10 scale?
  • What’s your favorite Eric Stolz film?

Favorite IMDB trivia item:

On The Man Who Shot Liberty Valance marquee that appears in the film, a quote (“a classic”) is attributed to G. Brown. The critic in question is Georgia Brown, famed Village Voice film critic and mother of writer/director Noah Baumbach.

Other reviews of Mr. Jealousy:

Orange background with a white frame. Text: I'll bet my writing's more of a voice of our generation than his. --Mr Jealousy. Read the three sentence movie review. 3SMReviews.com

Wild Nights With Emily | Dickinson Like You’ve Never Seen

Susan Ziegler and Molly Shannon in Wild Nights With Emily

Wild Nights With Emily

Directed by Madeleine Olnek
Written by Madeleine Olnek

The review:

I’m willing to bet that everyone reading this knows about Emily Dickinson and I’m also willing to bet that if you watched this film, you would find what you know about Dickinson to be missing a rather important piece of information.* Molly Shannon takes on the Dickinson role and her portrayal is in a lot of ways the opposite of Cynthia Nixon’s portrayal in A Quiet Passion. You’ll get the flavor of Dickinson’s life and learn a truth long suppressed.

The verdict: Good

Cost: Free via Kanopy, Multnomah County Library’s streaming service
Where watched: at home

Consider also watching:

Further sentences:

*Aside from writing process while alive, the story of the publication of Emily Dickinson’s poems after her death is an interesting one. This movie gives a few insights into what went down, but if you’re interested, you might want to read This Brief Tragedy by John Evandelist Walsh.

Questions:

  • When you think of Emily Dickinson, what do you think of?
  • Once you know the truth suppressed, how do you feel?

Favorite IMDB trivia item:

No trivia, but I give you this excerpt of Q&A from a KQED article:

Although the film is set in the 19th century, you wrote the script with contemporary colloquial expressions. Did you want to avoid the trappings of a period piece?

I’ve been really moved, if that’s the right word, by Drunk History. It’s shown us that historical pieces, when they’re stripped of all the pretension that we associate with them, are really about people in situations dealing with ideas. When I was reading Dickinson’s letters, I was surprised by how contemporary so much of the language was. It shocked me: jokes and things that you would never think someone in the 1800s would say. So I didn’t want the actors’ attention on presenting the period. We’ve seen that in a million films. I was interested in everyone focusing on what each person felt in that situation, the connections with other people and what they were struggling with.

(It’s a good article. Recommended) (I’m also a fan of Drunk History for the same reasons.)

Other reviews of Wild Nights With Emily:

Shithouse: An Imperfect Window into Freshman Year

Cooper Raiff and Dylan Gelula in the film Shithouse

Shithouse

Directed by Cooper Raiff
Written by Cooper Raiff

The review:

Movies that capture transition periods are my favorite, especially of those that capture transitions around college,* so I greatly enjoyed watching Alex Malmquist (Cooper Raiff) struggle during his freshman year. This film is great at capturing the discomfort of not connecting,** and echoes a bit of Before Sunrise, though it also lingers a little too long in the middle. I’m also not thrilled with the ending, but enjoyed the performances*** enough to make it worth watching, though I do think the title could have been better chosen.****

The verdict: Good

Cost: $6.99 via Google Play
Where watched: at home

Consider also watching:

Further sentences:

*Either into college or out of college. I think those times, which generally feature the loss of established support networks, leave a lot of room for drama.
**The conversations Raiff had with his stuffed animal were both amusing and painful to watch.
***Dylan Gelula is great as the RA that Cooper spends the night with. Logan Miller (whom I last saw in Love, Simon) continues his mostly odious streak as Sam, Alex’s roommate.
****The name comes from a house where a party is held. The house is named Shithouse. The scenes spent at the house were few, and I didn’t feel like the title extrapolated to the rest of the movie in a way that made it worth its use of a swear.

Questions:

  • College freshmen with full beards, do they exist? Did Cooper Raiff’s facial hair make him seem much older than a freshman?
  • Did anything about this movie seem similar to a college experience you had?

Favorite IMDB trivia item:

Nothing IMDB, I found a rambling interview that gave me this factoid:

Jay Duplass served as Cooper Raiff’s mentor after Raiff tweeted a screener at Duplass with the caption, “Bet you won’t click on this link!”

Other reviews of Shithouse:


Songs My Brothers Taught Me Shows Lives on the Rez

Picture of Taysha Fuller, Irene Bedard and John Reddy in the motion picture Songs My Brothers Taught Me.

Songs My Brothers Taught Me

Directed by Chloé Zhao
Written by Chloé Zhao

The review:

Depictions of Rez Life are rare in film, and it’s saying something that a Chinese director, not an American, was the person who made this film about Johnny and Jashaun Winter and their life on the Pine Ridge Reservation.* This is a Wandering Through sort of film and there’s much to observe, though there is a bit of plot holding everything together.** This film showed depressing and hopeful aspects of a community that seems to exist in America without much notice by the general public.

The verdict: Good

Cost: Free via Kanopy, the library’s free streaming service.
Where watched: at home

Consider also watching:

  • The Rider
  • Smoke Signals
  • I don’t have much knowledge in this area.
  • Here is a list from Indian Country Today

Further sentences:

*I was first introduced to Zhao with the 2018’s excellent The Rider, which also takes place on Pine Ridge.
**As with The Rider, the plot is not super important. Zhao is great at holding your attention.

Questions:

  • What would life on the Rez look like if a billion promises hadn’t been broken?
  • What do you think it would take to have a regular pipeline of Indian-produced films?

Favorite IMDB trivia item:

On a DVD extra, director Chloé Zhao said of the tight budget, light plotting, and neo-realist style casting, “We’re capturing truth—because truth is the only thing we can afford.” The production used mostly local residents as actors, and, according to Zhao, 80% of the story depicted is true to the actual life of the young man playing Johnny Winters (John Reddy). The house that Winters lives in is the house that Reddy lived in, and Reddy, also one of twenty-five children to one father, has many of his real family members playing members of his family. In fact, the man shown delivering the eulogy for Winters’ father is Reddy’s actual father.

Other reviews of Songs My Brothers Taught Me:

Orange background with a white frame. Text: Thing about breaking a horse is, don't run 'em all the time. 'Cause if you're gonna just keep running a horse, you're gonna break its spirit. Anything that runs wild got something bad in 'em. You want to leave some of that in there. 'Cause they need it to survive out here. —Songs My Brothers Taught Me. Read the three sentence movie review. 3SMReviews.com