Tag: Good

Heartburn Starts With a Happy Marriage

Heartburn

The review:

Mike Nichols gives us a happy marriage that suddenly slams on its breaks in Heartburn.* I’m not a fan of Jack Nicholson** and was surprised to find him a chilled-out, easier-to-watch dude who nicely offset Meryl Streep’s performance, plus I enjoyed that darling red-headed baby.*** This is full of great lines and a great selection of 1986-era clothing, plus Kevin Spacey’s first film role, and various 80s-style ridiculous situations.

The verdict: Good

Cost: Free via Kanopy, the library’s streaming service.
Where watched: at home

Consider also watching:

Further sentences:

*I was under the mistaken impression that this movie was all divorce, all the time, but it begins with with the couple meeting at a wedding.
**”Are you watching The Shining?” the boyfriend asked as he caught a glimpse of Nicholson on the screen.”
“Nope,” I replied, “I’m watching a movie with the cutest baby ever!”
***Later in the film, looking at the way Meryl Streep was looking at that baby, I thought, “Is that Meryl Streep’s baby?” And it was. That’s Mamie Gummer.

Questions:

  • Knowing that this was based on the Nora Ephron/Carl Bernstein marriage, what do you think about Bernstein being a ladies’ man/lech?
  • Have you read this book?

Favorite IMDB trivia item:

In Everything Is Copy (2015), Jacob Bernstein’s documentary about his mother Nora Ephron’s life and career, he reveals that contentious negotiations over the movie adaptation of her novel Heartburn extended his parents’ divorce for several years longer than most divorces take. Eventually, their divorce agreement included a stipulation that the movie was not allowed to depict the “Mark Forman” (Carl Bernstein) character as anything but a good, loving, and conscientious father (whatever his failings as a faithful husband were), and Mike Nichols had to be named as a legal signatory to the divorce.

Random bit of me trivia:

The Carly Simon song featured on this soundtrack “Coming Around Again” was played ad infinitum on the radio station my parents listened to.

Heartburn

Out of context, this quote sounds dirty. Jack Nicholson was talking about some food that Meryl Streep had cooked.

To All The Boys: P.S. I Still Love You Is a Very Long Title

To All the Boys: P.S. I Still Love You

The review:

After disliking Noah Centineo so intently in The Perfect Date, I was gun-shy of To All the Boys: P.S. I Still Love You, but Michael Fimognari managed to include enough good relationship things* that I came away satisfied. And sometimes in a woman’s life there is a period where the boys come out of the woodwork, and this is rarely represented on film, so that was fun. This is solid, middle-tier movie making, perfect for two hours of untroubled movie viewing.**

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*The indie drama fan in me is always interested in what happens after the couple gets together and there were a lot of first-relationship troubles.
**There are troubles, of course, because otherwise there wouldn’t be a movie. But no one is dying here.

Questions:

  • What film comes closest to your own first relationship?
  • When do you turn to films like this one?

Favorite IMDB trivia item:

Jordan Fisher plays John Ambrose McClaren in this movie. In To All the Boys I’ve Loved Before (2018) the role of John Ambrose was played by a different actor, Jordan Burtchett.
(I wondered about this, but was too lazy to check. Thanks IMDB trivia writer!)

To All the Boys: P.S. I Still Love You

Starman is Fun to Watch 36 Years Later

Starman

The review:

Jeff Bridges is a revelation in John Carpenter’s Starman—full of ticks and a dawning sense of his human self.* Karen Allen is also key to this film because her varying facial expressions lead the audience to accept the alien. The film includes a great combo of early digital and practical effects and was a good choice for a Valentine’s Day viewing.**

The verdict: Good

Cost: $2.99 via Google Play
Where watched: at home with the boyfriend

Consider also watching:

Further sentences

*I forget how amazing he is as an actor, because I feel like he’s been playing shades of the Dude for years.
**I was thinking what a lovely little love story this was until the boyfriend (who also counsels domestic violence offenders) started pointing out all the controlling behaviors: “How come when I kidnap someone at gunpoint and make them drive me to a different state it’s a felony? Etc. Etc. Etc. It cracked me up.

Questions:

  • What’s your favorite human/alien movie?
  • Kidnapping. When is it okay?

Favorite IMDB trivia item:

Actor Jeff Bridges studied ornithology and the behavior of birds to prepare for his role as an alien in human form for this movie. Bridges particularly used the sudden jerky head movements, among other nuances and mannerisms, of birds for his Starman character.

Other reviews:

Starman

2020 Oscar Nominated Animated Shorts

Overall:

I came out of the Animated Shorts feeling defeated and depressed. Thank goodness for the wacky Hors Piste—a bonus feature, and the very brief Maestro. All of the shorts this year are about death or loss, mostly directly, sometimes tangentially.

Also, these reviews aren’t necessarily going to be three sentences each.

Hair Love (7 minutes)

A girl wants to make her hair look nice, but despite online tutorial vidoes, is too young to have the skills. Her father is nervous, but willing to try. Very sweet and funny, this is the feel-good short.

The verdict: Good

Watch “Hair Love” on YouTube here.

Dcera (Daughter) (15 minutes)

Stop motion animation with papier-mâché figures that focuses on a father and daughter relationship. Aside from being depressing, the animation of the eyeballs weirded me out. This was a very long fifteen minutes.

The verdict: Skip

Pay to watch “Dcera” here.

Sister (8 minutes)

Felted dolls tell this story about a man’s childhood memories of his sister. In places, the animation was weird in a good way and this story hit me hard. This was my favorite.

The verdict: Recommended

Website information here.

Kitbull (9 minutes)

This is Pixar-adjacent, the story of a feral kitten who makes a new friend. I was all in for the antics of the black feral kitten (my home includes a formerly feral, now-grown kitten who jumped around just like this one) but another animal was in danger in a way that made me angry and after that I was having none of this short.

The verdict: Skip

Watch “Kitbull” on YouTube here.

Memorable (12 minutes)

Another stop-motion animated entry, this was the most artsy of the bunch. In it, a painter and his wife experience changes. It illustrated a depressing topic in beautiful color and motion.

The verdict: Skip

“Memorable” is not available to watch.

Shorts TV, the organization who distributes the Oscar-Nominated films to theaters, probably couldn’t justify sending out a 51-minute program. So there was some padding added. And thank goodness, because the last two shorts managed to turn around the depressing topics.

Henrietta Bulkowski (16 minutes)

Another stop-motion entry, this is the story of a woman with kyphosis (when the spine curves and gives a hunchback) who wants to be a pilot. I enjoyed how fantastically weird this film was.

The verdict: Good

Website is here.

The Bird and the Whale (6 minutes)

This was gorgeous. It’s 4,300 paintings on glass paired with an original score by Chris McLoughlin. But when you have a bird in a cage as the sole survivor of a shipwreck, you’ve got an animal in peril and that’s a no-go for me.

The verdict: Skip

Website is here.

Hors Piste (5 minutes)

God bless Hors Piste for its tale of mountain rescue workers whose mission doesn’t go as planned. The CGI brings a funny veneer to the story and the poor fellow being rescued has increasingly amusing expressions.

The verdict: Recommended

Trailer is here.

Maestro (2 minutes)

This is two minutes of a squirrel directing a cast of forest animals in a bit of opera. There’s nothing not to like here.

The verdict: Recommended

Watch “Maestro” on Vimeo here.

Cost: $9.75
Where watched: Living Room Theaters

My ranking: (winner in bold)

  • Sister
  • Hors Piste
  • Hair Love
  • Henrietta Bulkowski
  • Maestro
  • Memorable
  • The rest are just: No!

Richard Jewell Includes Good Acting, Director Opinions

Richard Jewell

The review:

Clint Eastwood’s Richard Jewell is a little too clear about the director’s feelings about the media and the F.B.I.,* but what this film does well is ably recreate the somewhat claustrophobic circumstances Richard Jewell is reduced to when the tables are turned on him.** I was excited to see Paul Walter Hauser as the titular character and I thought it was unfortunate he didn’t make the cut for Best Actor.*** The rest of the cast was also good and I like that Jewell’s sad-but-true story got movie status.

The verdict: Good

Cost: $6.00
Where watched: Jubitz Theater (The audience included five other women and one man, which I thought was an interesting distribution. Also, the man would not stop talking to his movie-going companion. This is the second Jubitz feature in a row where the audience gets a D for etiquette)

Consider also watching these other Clint Eastwood films:

Further sentences:

*Both are bad. Very bad. Very, very bad. You can’t believe how bad they are. Although you can when you watch this movie because both institutions might as well have had a neon arrow saying BAD pointing at them through the duration of the film.
**I’ve lived in apartment complexes like the one depicted in the film and while they are fine places to live, they can seem dark and claustrophobic, especially when you spend most of your day in them.
***He was great at still being sympathetic and likable even while being off-putting and making not good choices. That’s a high tightrope to walk. Nomination-wise, I would have subbed him in for Johnathan Pryce’s Pope Francis.

Questions:

  • What do you remember about the 1996 Summer Olympics?
  • Kathy Bates’s Best Supporting Actress nomination. Deserved? Yea or nay?

Favorite IMDB trivia item:

All of the Atlanta Olympic Games logos in the film are missing the 5 rings. The International Olympic Committee denied the use of the rings for copyright protection and to “protect the use of the iconic emblem”.

Other reviews:

Richard Jewell

1917: Does the Movie Deserve Accolades?

1917

The review:

Sam Mendes’s 1917 is vacuuming up all the praise and it’s very good at being a tense war movie that is crafted as if it was filmed in one shot.* And yet, when we step a bit back from the cinematography shenanigans, is there enough story? I’m feeling torn, but I can tell you that I enjoyed both Dean-Charles Chapman** and George MacKay, *** I found one scene late at night in a town unbelievable, and I thought the depictions of rats was on point.****

The verdict: Good

(There will be much grumbling if this wins Best Picture. Not Green Book levels of grumbling—there will be no assigned reading—but grumbling nevertheless)

Cost: $9.50
Where watched: Cinema 21 with Matt, who enjoyed it.
(Also, I noticed for the first time a private screening area in the balcony.)

Consider also watching:

Further sentences:

*It was not.
**Although the preview clued me in about him
***He was the oldest son of Viggo Mortenson in Captain Fantastic
****Also, I’m quite happy to have avoided service during the Great War.

Questions:

  • What other movie razzle-dazzle (more easily created with CGI) do you want to see come back?
  • What would you lean on to get through fighting a terrible war?

Favorite IMDB trivia item:

Mendes says his grandfather Alfred, who entered WWI in 1916 as a 17-year-old, did indeed carry messages through no-man’s land, as per the mission in this film. His advantage was that he was only 5’4″ tall, and was often hidden by the battleground’s winter mist that usually hung as high as 6 feet. And after soldiering for two years in the muddy trenches, grandfather Alfred had a lifelong habit of constantly washing his hands. Yet, he never talked about his wartime experience until he was in his 70s.

(Short people for the win!)

Other reviews:

1917

Beautiful Boy: A Father/Son Tale of Addiction

Beautiful Boy

The review:

Felix van Groeningen’s Beautiful Boy follows the standard drug addict movie format;* the difference here is that the father-son relationship is the focus. I loved the performances of both Steve Carell and Timothée Chalamet** and that the movie doesn’t point to a cause of the addiction, just the things that happen because of it. While I don’t feel this broke any new ground on the drug addict movie front, there was a lot worth watching.

The verdict: Good

Cost: Free due to Amazon 30-day Prime trial
(I’ve been stalking this movie for months now and it’s been stuck behind the Amazon paywall and has too many holds at the library)
Where watched: at home.

Consider also watching:

Further sentences:

*Drugs are used/fun. Drugs are abused and bad things happen. The rituals of drug use are fetishized. Drug addict hits bottom. Rehab. Either the hopeful ending (rehab goes well) or the not hopeful ending (character dies or goes back to drugs.)
**I really love Steve Carell’s serious roles (and his comedy) and I was also happy to see Maura Tierney and Amy Ryan in this. Plus Kaitlyn Dever makes an appearance.

Questions:

Do you think the divorce of his parents contributed to Nic Sheff’s drug addition?
What was the hardest sequence in this film?

Favorite IMDB trivia item:

Cameron Crowe was once attached to direct with Mark Wahlberg in the lead role.
(So this movie has been kicking around for a bit, then.)

Other reviews:

Beautiful Boy

Honey Boy: Sometimes Recovery Means a Fine Movie

Honey Boy

The review:

Alma Har’el’s Honey Boy stuck with me after the credits had rolled, and it excelled at balancing the story of young Otis and his father with older Otis and his PTSD.* The scenes of LaBeouf’s questionable parenting choices were a great counterpoint to the scenes with rehab counselors.** While this movie lacked an ending*** it’s worth seeing for the performances and the nuance around what love looks like when you have a stunted alcoholic dad cheering for you.

The verdict: Good

Consider also watching:

Further sentences:

*LaBeouf’s portrayal of James Lort had his signature mesmer (I found it hard to look away from him) both Otises (Noah Jupe and Lucas Hedges) were great. Noah Jupe was both world-weary, exceedingly cautious, and at times a normal 12-year-old. Lucas Hedges captured the stony resistance of older PTSD Otis.
**Martin Starr! Laura San Giacomo! (Also fun: Byron Bowers as the rehab roommate.)
***Much like the enjoyable directing debut of Jonah Hill: Mid90s

Questions:

  • I had trouble cobbling together a list of complex/abusive father-son movies. Can you think of any?
  • What was the most disturbing aspect of young Otis’s life?

Favorite IMDB trivia item:

Shia LaBeouf was arrested for public intoxication in July, 2017 in Savannah, Georgia. He was ordered to attend a 10-week rehab program, where he discovered that he had PTSD and began writing the screenplay for Honey Boy. Filming for the movie started two weeks after Shia got out of rehab.

Other reviews:

Honey Boy

Margot at the Wedding: Disaffected Adults, Bad Choices

Margot at the Wedding

The review:

Noah Baumbach’s Margot at the Wedding has the usual pre-Gerwig vibe* of disaffected adults who speak with a bored affect** and are their own worst enemies. And while that first sentence sounds like I didn’t like the film, this second sentence is here to say that I greatly enjoyed this movie from the performances to the ridiculous actions taken by the characters.*** Chalk this up as yet another Baumbach film with people I couldn’t be in the room with in real life, but greatly enjoy on screen.

The verdict: Good

Cost: free via Kanopy
Where watched: at home

Consider also watching:

Further sentences:

*Greta Gerwig has injected so much more FUN into his movies.
**Even Jack Black—usually the reliably manic character—is running at about 40% power.
***Granted, this is enjoyment like chewing aluminum foil with braces on, or putting a 9-volt battery on your tongue. It’s exhilarating and uncomfortable.

Questions:

  • Which character in this film is the most competent parent?
  • Who did you identify with the most?

Favorite IMDB Trivia item:

Cinematographer Harris Savides used old lenses and shot mostly in natural light to get the dim, ominous look of the film.

Other reviews:

Margot at the Wedding

Where’d You Go, Bernadette is Entertaining

Where'd You Go, Bernadette

The review:

Richard Linklater does a great job transforming Where’d You Go, Bernadette from an epistolary novel into a coherent film—though the film stumbles at the end. I enjoyed this much more than I thought I would, mostly because Cate Blanchett having a mental crisis is so much fun to watch.* There’s a big, old, moldering house,** some really great mean girl mom stuff,*** good performances by Billy Crudup and Emma Nelson (in her debut: she plays Bernadette’s daughter) plus a bunch of bit parts with actors I love.****

The verdict: Good

(I greatly enjoyed this book and can recommend it.)

Cost: $1.25 at Redbox
Where watched: at home

Consider also watching

Further sentences:

*The Academy also agrees: she won an Oscar for Blue Jasmine, which is another story of a woman in mental crisis. And parts of her performance brought to mind Katherine Hepburn, whom she portrayed in the Aviator and for which the Academy also bestowed her with an Oscar.
**Something about moldering houses inspires glee in me. My favorite YA novel of 2019, Ordinary Girls by Blair Thornburgh, also featured a moldering house.
***Kristen Wiig is so very good!
****Judy Greer, Steven Zahn, Megan Mullally, Laurence Fishburne

Questions:

  • If you have taken in both book and movie, which worked better for you?
  • What’s your favorite movie set in a moldering old house?

Favorite IMDB trivia item:

Bernadette refers to Dr. Kurtz, the Judy Greer character, as “Colonel Kurtz” at one point. Colonel Kurtz was the enigmatic figure in the film Apocalyse Now in which Laurence Fishburne, who plays Bernadette’s former colleague Paul Jellinek, had a part as Tyrone ‘Clean’ Miller, the youngest member on the boat.

Other reviews:

Where'd You Go, Bernadette