3SMReviews: Leave No Trace

3SMReviews: Leave No Trace

In Debra Granik’s Leave No Trace, Ben Foster and Thomasin McKenzie do more with less acting as a father/daughter pair living in a city park* This movie is Tom’s coming of age story as the discovery of their home-in-the-park sets her and her father into “real life” and wakes Tom’s typical adolescent yearning for something different.** Chock full of good, quiet acting by both leads and by a handful of smaller performances (Dale Dickey was particularly good as was Isaiah Stone**), this is a quiet movie of growing up.

Cost: $3.99 via Google Play because I didn’t get around to watching it when it was on Netflix.
Where watched: at home.

*Forest Park, in my own Portland, Oregon. It’s a huge park with trails for miles. This movie is based on a book that was inspired by the mid-2000s discovery of a father/daughter pair living in Forest Park. The story was well-covered by the local media and has stuck with me.
**Not that this leads to acting out like most teenagers would. This entire movie is full of small moments and subtle performances.
***Both actors were also in Granick’s very excellent Winter’s Bone

3SMReviews: Juliet, Naked

3SMReviews: Juliet, Naked

In Juliet, Naked, Jesse Peretz crafts an extremely awkward romantic comedy and takes advantage of the facility of uncomfortable comic timing of Rose Byrne, Chris O’Dowd and even Ethan Hawke. It’s a great catalog of people in a middle-age place of stagnation and transition with one especially spectacular scene that takes place in a hospital room. I think this movie didn’t quite know what to do with the ending, and that felt a little bumbled, but other than those last five minutes, this was a very fun film.

Verdict: Recommended

Cost: $1.50 from Redbox*
Where watched: at home

*I have been stalking this movie at Redbox since Thanksgiving weekend when I checked five different machines. It was always checked out.

3SMReviews: The Favourite

3SMReviews: The Favourite

Yorgos Lanthimos gives us the Christmas gift of three amazing actors in The Favourite and I enjoyed every moment of the characters’ slow-motion train wrecks. Aside from great acting and an intense story, there are amazing costumes* and a scene so good that it caused people in my screening to break into applause. Despite its drawing room appearance, this movie changes things up (like a traditional formal dance at a ball that morphs into all sorts of current dance moves) and is contemporary in every way.

Verdict: Recommended

Cost: $9.00
Where watched: Hollywood Theatre with friend Kelly.

*The women look good in their gowns, but Nicholas Hoult really dazzles in his fancy dress and powdered face and wig.

3SMReviews: First Man

3SMReviews: First Man

Damien Chazelle teams up with Ryan Gosling in First Man, a very feelings-based telling of Neil Armstrong’s story. Both Gosling and Claire Foy (as Janet Armstrong) are very good as the stoic couple who never thought they would be public figures. This movie has the White Guys in Suits* problem, and I would have rather watched it with subtitles as the dialogue gets lost in places amid the very industrial sound design, but I loved this movie’s focus on a man with a lot of feelings who never lets any of them out.

Verdict: Recommended

Cost: $4.00
Where watched: at the Academy Theater with S. North and an audience that wandered in and out of the theater during the movie, plus a guy behind us who commented loudly and often.**

*It was very hard to get names of the supporting cast and match them with faces. Being the 60’s, there were a lot of similar looking men in shirtsleeves with ties. This movie also had the same problem as in Lincoln: there were so many “Who is that guy?” moments.  Patrick Fugit I recognized from the get-go, but there was also the guy from Girls, the guy from Tinker Tailor Soldier Spy, the guy from Mudbound, the guy from Inception, the guy from the first Ant-Man movie, etc. etc. etc.
** “Space junk!” was perhaps my favorite of his eruptions.***
***He didn’t bug me tremendously, as it reminded me of when S. North and I saw the preview for this film and it so annoyed an audience member he loudly proclaimed, “WHY ARE THEY TRYING TO MAKE IT TENSE? We already KNOW what happens!” Both of us laughed.

3SMReviews: Roma

3SMReviews: Roma

Alfonso Cuarón lets his camera linger in Roma, which is nice because then we can draw our own conclusions. In this black and white film, we experience Cleo’s life as a servant in an upper-class house in Mexico City. Much like Y Tu Mamá También, I loved watching the relationships develop and change, plus there are some pretty intense scenes.*

*One extended male full frontal scene was intense and funny. Some other scenes were intense and heartbreaking.

Verdict: Recommended

Where watched: at home
Cost: Netflix monthly subscription ($7.99)

3SMReviews: Dumplin’

3SMReviews: Dumplin'

Anne Fletcher’s does a great service in her movie Dumplin‘; she populates it with actors of all sizes.* But aside from that, she weaves a good story with enjoyable performances by Danielle MacDonald and the other friends of Willowdean.** While this movie is probably not one for the ages, it is the best at what it’s trying to do, which made for a delightful experience right now.

Verdict: Recommended

Cost: Netflix monthly subscription ($7.99)
Where watched: at home

*Have you been to the mall lately? Or any gathering of normal people? We don’t look like any gathering of people in movies. I’d love to see the movie world look more like the real world.
**I was happy to see Odeya Rush, so very good in Lady Bird as the mostly vapid pretty rich girl. Harold Perrineau was also very good as Willowdean’s friend Lee. (And IMDB reminds me that he was a very good Mercutio 22 years ago in Romeo + Juliet!)

3SMReviews: Me and Earl and the Dying Girl

3SMReviews: Me and Earl and the Dying Girl

Alfonso Gomez-Rejon knows how cancer movies can go and he pushes Me and Earl and the Dying Girl in a different direction. I love how the screenplay retains the book’s focus on Greg’s self-loathing* something I was sure would be toned down. I also appreciate a cancer film where the patient isn’t chipper about her fate and a movie that manages to combine hilarity and tears in a completely organic fashion.

Verdict: Recommended

Cost: free from library
Where watched: at home

*Possibly due to the fact that Jessie Andrews wrote both the book and the screenplay.

3SMReviews: Can You Ever Forgive Me

3SMReviews: Can You Ever Forgive Me

Marielle Heller achieves the ultimate in Can You Ever Forgive Me. She gives us a movie about an unlikable character* and provides us with enough details so we can feel sympathy and like that character. Part of the credit goes to the marvelous Melissa McCarthy, who excels in a person who can’t let anyone in, and feels love only for her cat.**

Verdict: Recommended
Consider also watching: Heller’s excellent The Diary of a Teenage Girl

Cost: $5.55 (though free due to gift cards)
Where watched: Regal City Center Stadium 12.

*A post-40, lesbian, fat woman to be precise.
**I also love that this movie was not about a total transformation of this very flawed character.

poster from: http://www.impawards.com/2018/can_you_ever_forgive_me.html

3SMReviews: Best Man Down

3SMReviews: Best Man Down
http://www.impawards.com/2013/best_man_down.html

Ted Koland’s Best Man Down is not a very good movie.* However, my enjoyment of this film overcame its detraction. Part of the credit goes to the plot (I’m always interested in films that examine nuances of friendship) and part of the credit goes to Addison Timlin who has full command of the screen as Ramsey, and Tyler Labine as the good-times (yet furtive) Lumpy.

Verdict: Skip, unless the things listed above sound good to you.

Cost: free from the Multnomah County Library
Where watched: at home

*The pacing is totally off and Jess Weixler’s character is fairly cardboard. At times I wasn’t really sure what was going on, and not in an intriguing way.

3SMReviews: Widows

3SMReviews: Widows
Poster from: http://www.impawards.com/2018/widows.html

In Steve McQueen’s Widows, I knew Viola Davis and Michelle Rodriguez were going to be good, and I was very happy to find out how good Elizabeth Debicki* and Cynthia Erivo were. I really liked how the movie was assembled, and how the jumps the narrative took kept me confused and trying to solve a puzzle.** The stakes felt very real and Daniel Kaluuya’s performance was also a treat.

Verdict: Recommended

Cost: $6.00
Where watched: Laurelhurst Theater with a ton of people over the age of 50.

*Debicki first caught my eye as Jordan Baker in the Great Gatsby, however, they did not play up her incredible height in that movie. I see she was also the very Golden Ayesha in Guardians II. Cynthia Erivo is new to me, and I hope to see more of her.
**This worked for me, though I can see how it might put some viewers off.