Apollo 13: When You Need to See a Finest Hour

A photo of actors in the movie Apollo 13

Apollo 13

Directed by Ron Howard
Written by William Broyles Jr. & Al Reinert

The review:

In a time when the U. S. of A. seems to be a little wobbly, I wanted to spend Independence Day being reminded of a time when things went wrong, people pitched in, and it all worked out.* Ron Howard films tend to sag, but this one remains taut throughout. Aside from space drama tension the acting is so very good by all the players, especially Kathleen Quinlan who makes the most of her worried-wife-stuck-on-earth role.

The verdict: Recommended**

Cost: $3.99 via Google Play
Where watched: at home

Consider also watching:

Further sentences:

*Granted, a small group of people getting three men back from the moon is problem solving on a different scale than systemic racism and global pandemics, but you know, baby steps. Plus Matt had never seen this and also wasn’t sure who Gary Sinise was (even when I told him repeatedly: He’s Captain Dan in Forrest Gump!) so that took care of that, too.
**Random me fact: I watched this in 1995 when it was released, but I associate it with 9/11 as it was the Saturday Night Movie one of the big-three networks played when they returned to regular programming after days of covering the attacks. I watched it (with commercials) on Georges Island in the Boston Harbor with fellow park ranger Joel.

Questions:

  • Would you watch a drama that focused on the women who happen to be married to astronauts?
  • Who was your favorite of the Apollo 13 crew? (Matt’s favorite was Gary Sinise, because he did all the hard work back on Earth to get them home.)

Favorite IMDB trivia item:

When the real Jim Lovell saw the film, he found the CGI work so convincing that he firmly believed that the filmmakers had uncovered some hitherto unseen NASA footage.

Other reviews of Apollo 13:

Text: With all due respect, sir, I believe this is going to be our finest hour. —Apollo 13. Read the three sentence movie review at 3SMReviews.com

Interstellar is Engaging, Confusing

Interstellar

Interstellar

Directed by Christopher Nolan
Written by Jonathan & Christopher Nolan

The review:

Matthew McConaughey, in his I’m-a-serious-actor period, travels through Nolan’s take on space (and time) in a film that is engrossing, and yet left me with many questions.* It’s interesting how the first big moment of action/tension comes more than an hour into the film, yet the story up until that point is more than enough to hold my interest.** As mentioned in the previous review, I still wasn’t a fan of Cooper’s manly I-make-the-decisions move, but this time was too busy enjoying the performances of Mackenzie Foy, Anne Hathaway and Jessica Chastain to let it bug me.***

The verdict: Good

Cost: $2.99 via Google Play
Where watched: at home

Consider also watching:

Further sentences:

*This seems to be a theme of Nolan’s more recent films. [Vague spoilers ahead] I’m thoroughly engrossed, but what exactly did that data programmed into the watch do? Where did that tesseract thing come from? Why did Murph have to go to a different station, couldn’t Cooper have gone to her? How, exactly is Cooper getting to Brand in just that little ship? [End vague spoilers.]
**I would be curious to see a well-written drama that was a prequel of sorts. Just how did the world get to be anti-science and farmers-only?
***Plus, Wes Bently! What do I have to do to get more Wes Bentley? [Checks IMDB] Apparently, I must watch movies that I have not watched that don’t exactly appeal to me.

Questions:

  • See above questions
  • Has Matthew McConaughey’s I’m-a-serious-actor phase ended? What movies do you think that phase spanned?

Favorite IMDB trivia item:

The giant dust clouds were created on location, using large fans to blow cellulose-based synthetic dust through the air.

Also:

The documentary-style interviews of older survivors shown at the beginning of this movie and again on the television playing in the farmhouse toward the end of the movie are from Ken Burns The Dust Bowl (2012). They are real survivors, not actors, of that natural disaster.

Other reviews of Interstellar:

Interstellar

I’ve Now Seen Jaws and It Is Excellent

That’s my hot take on this 45-year-old movie.

Jaws
It must have been fun to be an extra for this movie. Look at what a good time that girl on the left is having.

Jaws

Directed by Steven Spielberg
Written by Peter Benchley, Carl Gottlieb

The review:

Thank goodness for malfunctioning mechanical sharks as the shark-less filmmaking tricks hold tried and true 45 years later, expertly establishing a solid level of fear so that when the mechanical shark does show up* I was willing to treat it with the same amount of fear I had when it was being implied. Aside from many Coronavirus parallels, this movie is packed with excellent scenes** and provides many legitimate scares. I wondered if I would end up rooting for the shark,*** but the menace was properly recorded and while I would have liked to broker a peace agreement to perhaps avoid violence being perpetuated on both sides, I was okay with how things turned out.****

The verdict: Recommended

(It’s ridiculous I am just watching this for the first time.)
(This happens a lot with movies that were released before I could walk)

Cost: $1.99 via Redbox On Demand
Where watched: at home

Consider also watching:

Further sentences:

*It hasn’t aged well, though is pretty impressive from a practical effects standpoint.
**Roy Scheider watching with worry as people frolic on the beach; Robert Shaw’s fingernails-on-chalkboard introduction; Shaw’s tale of the USS Indianapolis; Any scene with Richard Dreyfuss; Lorraine Gary’s realization that sharks can bite through boats and her about face from “it’s okay” status.
***As I did for the whale in the Ron Howard film In the Heart of the Sea.
****This movie also has an interesting split. Most of it is the story of a police chief’s interactions with people in the town and trying to make good decisions. The last section is Men vs. Nature. The end of the film doesn’t wrap back around to tie into the chief/town part. Interesting.

Questions:

  • Does everyone find Richard Dreyfuss as mesmerizing as I do, or is this some imprinting thing that happened to me in the 80s?
  • What was the scariest part for you?

Favorite IMDB trivia item:

Several decades after the release of Jaws (1975), Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an “Alex Kintner Sandwich.” She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.

Other reviews of Jaws:

Jaws

Da 5 Bloods: Back to ‘Nam

Da 5 Bloods

Da 5 Bloods

Directed by Spike Lee
Written by Danny Bilson, Paul De Meo, Kevin Willmott, and Spike Lee

The review:

This movie is long* and takes place in two time periods** (Vietnam in 1971 and Vietnam in present day) and has a lot of feelings ricocheting around. Much like the Vietnam War was a mess that kept getting worse, so goes the plan to find the gold.*** While things are going south there are some amazing performances**** and the actors have built characters into people we care about.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*I took a bathroom break and when I paused the film I discovered that though the counter said 1:12 for having watched, there was still 1:22 left to go. I groaned, but the second half turned out to be engrossing.
**In the two time periods it uses the same actors for both without digitally de-aging them. I was not a fan of that process in the Irishman, so good job avoiding that, but it was weird to see the old actors looking old and playing young without comment. The aspect ratio changed to indicate which time period we were in. I eventually got used to it.
***I feel like there could be a movie throw down called Going After the Fortune: Totally Worth Your Time vs. Will Destroy Your Life.
****Delroy Lindo’s direct address to the camera! Wow!

Questions:

  • Where do you stand? Leave the treasure there, or go get it?
  • Which of the four remaining Bloods had the most to lose?

Favorite IMDB trivia item:

This will be the first Netflix film to screen at the Cannes Film Festival in three years. Controversy had stirred up after Netflix screened their films at the 2017 festival over the differing policies of streaming versus theatrical release, prompting Netflix and festival organizers coming to strong disagreements. Netflix subsequently withdrew their films from the festival for three years after. This film will be part of the festival’s Out of Competition category for the 2020 festival.

Well that didn’t come to pass. Thanks, coronavirus.

Other reviews of Da 5 Bloods:

Da 5 Bloods

See You Yesterday is a Balance

See You Yesterday

See You Yesterday

Directed by Stefon Bristol
Written by Fredrica Bailey & Stefon Bristol

The review:

It’s a delicate balancing act, this movie, what with trying to have a fun caper (two teenagers build time machines!) and also addressing police shootings (they are trying to save a family member).* It succeeds at this task, managing to balance the wonder of time travel with the horrors unnecessary death.** Plus, it’s always good to see a determined girl who loves science on screen.***

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*This week has been an heightened one for watching depictions of police interactions on screen.
**While watching, I was cataloging the number of swears, because this would be a good film to show in school. The level of swearing sunk that, but in hindsight, I’m guessing most schools wouldn’t show a movie depicting police shooting and unarmed man, no matter how much fun the science stuff is.
***There’s a fun cameo in this film too!

Questions:

  • How would you end this film?
  • What did you think of the clothing choices of C.J. and Sebastian?

Favorite IMDB trivia item:

In the school scene, Mr. Lockhart is reading Kindred by Octavia Butler, a book about an African-American woman who travels back in time to pre-Civil War America and has to deal with the injustice and oppression of slavery.

I have read Kindred and it’s great! Highly recommended!

Other reviews of See You Yesterday:

See You Yesterday

Inception Goes a Few Levels Too Deep

Inception

The review:

Christopher Nolan’s Inception is a movie with a highly original concept that makes the choice to go just a few levels too deep.* It remains as visually stunning as it was in 2010,** and I enjoy the commitment everyone has to their sometimes bananas dialog.*** It did wear on me that Ellen Paige’s character existed only to ask questions so the audience could be informed, but this was balanced by Joseph Gordon-Levitt’s focused work in zero gravity.****

The verdict: Good

Cost: Neflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*I enjoy puzzling through things while watching movies, but the layers after the snowbound assault are too much. Though props for finding a way to include a James Bond-esque action sequence that reminds me why I don’t watch James Bond movies. How in the world am I supposed to tell who is who when they are all wearing the same outfit?
**It was more of a marvel then—I mean, we’ve all seen Thanos snap his fingers and have half of the universe’s population blow away—but it still looks good ten years on.
***Example: You’re waiting for a train. A train that’ll take you far away. You know where you hope this train will take you. But you can’t know for sure. Yet it doesn’t matter. Now, tell me why?
****If there is one thing I’ve learned from my Nolan oeuvre-view, it’s that I need more JGL in my movie-going life. That voiceover work he did for Knives Out didn’t cut it.

Questions:

  • What do you think the ending means?
  • Who is your favorite extractor?

Favorite IMDB trivia item:

In an interview with Entertainment Weekly, writer, producer, and director Christopher Nolan explained that he based roles of the Inception team on filmmaking roles. Cobb is the director, Arthur is the producer, Ariadne is the production designer, Eames is the actor, Saito is the studio, and Fischer is the audience. “In trying to write a team-based creative process, I wrote the one I know,” said Nolan.

Other reviews of Inception:

Inception

The Dark Knight Rises: The Best of the Trilogy

The Dark Knight Rises

The review:

Having given us the Batman movie everyone else loves,* Christopher Nolan gave us the Batman movie that I love with The Dark Knight Rises.** In some ways, it’s an origin story all over again, what with Bruce Wayne having to be coaxed out of retirement. And it’s one last chance for Gary Oldman”s Commissioner Gordon to be the moral center.***

The verdict: Recommended

Cost: $3.99 via Redbox on demand
Where watched: at home

Consider also watching:

Further sentences:

*The Dark Knight
**You know why? This one is fun. And it has two women in it! I know! Plus Tom Hardy, whom everyone loves. And they got the Bane voice just right.
***Also, Joseph Gordon-Levitt is in this. And he’s great!

Questions:

  • What would you say is the definitive Nolan stamp on this franchise?
  • How did Bane’s mask work, anyway?

Favorite IMDB trivia item:

Writer, producer, and director Christopher Nolan said that this movie’s theme deals with “pain”. For Batman Begins (2005), it was “fear”, while The Dark Knight (2008) dealt with “chaos”.

(Clearly I’m a “pain” girl.)

Other reviews:

The Dark Knight Rises

Batman Begins: a Good Start to the Trilogy

Batman Begins

The review:

Christopher Nolan’s Batman Begins is a good superhero origin story that takes place in a world where women are just not around.* I enjoy Christian Bale’s journey from kid who wanders the world, to interested potential hero of Gotham, to hero of Gotham. I also enjoy the depictions of Gotham presenting as sufficiently grungy, but with that very cool monorail.

The verdict: Good

Cost: free because Matt owns a DVD copy (that is unfortunately pan-and-scan and shows it!)
Where watched: at home

Consider also watching:

Further sentences:

*I mean really, where are they? There’s Bruce Wayne’s mom, who has maybe one line. There’s Rachel’s mom, who also has one line. And there’s Rachel who does get to speak on a regular basis, but she’s the only one. Oh yeah, and the arm candy. But other women? Nope. Women police officers? None. Women board members who speak? Nope. Women scientists, police commissioners, mayors? Nope, nope, nope. In fact, Christopher Nolan seems to have a pretty strict one-woman-per-movie quota. (See: Following, Memento, Insomnia, this)

Random note: normally, we would have watched a superhero movie for our anniversary. This year, it looked like it would be Black Widow, which would have been our first every anniversary celebration superhero movie starring a woman. But nope. This was our #coronavirusalternative

Questions:

  • Could the lack of women present in this film be an example of sexism? Why or why not?
  • Do you think that Wayne Enterprises would have filed patents on all that cool gear they developed?

Favorite IMDB trivia item:

Christian Bale’s active dislike of his uncomfortable Batman outfit helped his performance as the Dark Knight as he was perpetually in a foul mood when wearing it.

Other reviews:

Batman Begins

Men in Black: International Delivers

Men in Black: International

The review:

F. Gary Gray continues the entertaining series with Men in Black: International.* Aside from getting to see Chris Hemsworth on screen,** I totally went for the setup of this film and Molly/Agent M’s story.*** There are aliens and fight scenes and cool hardware and all the things one would expect from the franchise.

The verdict: Good

Cost: $1.80 via Redbox
Where watched: at home

Consider also watching:

Further sentences:

*I’d had a hard day, and I wanted only to be entertained. My expectations were low, and this film easily cleared that bar.
**Always a treat, and even more so when the movie makes fun of his eye-candy status with in-movie jokes plus a winking Thor reference.
***I like someone who is a striver, and Tessa Thompson captured the excitement and uncertainty of being the new person at the dream job.
****I think I’ve only seen this third one. But you don’t have to watch them in order or anything. Another plus.

Questions:

  • What’s your favorite thing about the MIB franchise?
  • Is it a good use of your time to watch a movie that you will mostly forget a week later?

Favorite IMDB trivia item:

The MiB Agents have been wearing the same standard issue Hamilton Ventura watch since the beginning. The iconic Ventura watch was first released in 1957.

(I googled. It’s about $875 for that watch.)

Other reviews:

Men in Black: International

1917: Does the Movie Deserve Accolades?

1917

The review:

Sam Mendes’s 1917 is vacuuming up all the praise and it’s very good at being a tense war movie that is crafted as if it was filmed in one shot.* And yet, when we step a bit back from the cinematography shenanigans, is there enough story? I’m feeling torn, but I can tell you that I enjoyed both Dean-Charles Chapman** and George MacKay, *** I found one scene late at night in a town unbelievable, and I thought the depictions of rats was on point.****

The verdict: Good

(There will be much grumbling if this wins Best Picture. Not Green Book levels of grumbling—there will be no assigned reading—but grumbling nevertheless)

Cost: $9.50
Where watched: Cinema 21 with Matt, who enjoyed it.
(Also, I noticed for the first time a private screening area in the balcony.)

Consider also watching:

Further sentences:

*It was not.
**Although the preview clued me in about him
***He was the oldest son of Viggo Mortenson in Captain Fantastic
****Also, I’m quite happy to have avoided service during the Great War.

Questions:

  • What other movie razzle-dazzle (more easily created with CGI) do you want to see come back?
  • What would you lean on to get through fighting a terrible war?

Favorite IMDB trivia item:

Mendes says his grandfather Alfred, who entered WWI in 1916 as a 17-year-old, did indeed carry messages through no-man’s land, as per the mission in this film. His advantage was that he was only 5’4″ tall, and was often hidden by the battleground’s winter mist that usually hung as high as 6 feet. And after soldiering for two years in the muddy trenches, grandfather Alfred had a lifelong habit of constantly washing his hands. Yet, he never talked about his wartime experience until he was in his 70s.

(Short people for the win!)

Other reviews:

1917