Tag: 50s

The Hitch-Hiker: One More Argument Against Thumbing a Ride

Drawing of the stars of the Hitch-Hiker: Edmond O'Brien, Frank Lovejoy, and William Talman

The Hitch-hiker

Directed by Ida Lupino
Written by Collier Young and Ida Lupino

The review:

Here’s a brief film* about the dangers of picking up hitchhikers** back before the word got compounded. I like a tense drama with few characters and especially loved William Talman’s performance as Emmett Meyers. But mostly, I loved that film had a lot of scenes set in Mexico and the Mexican people featured in the film were not bumbling stereotypes.***

The verdict: Good

Cost: Free via Kanopy, the library’s streaming service
Where watched: at home

Consider also watching:

(Ideally I would recommend a list of tense mid-century noirs. But I haven’t seen enough of them, so we’re going with good car movies.)

  • Speed
  • Drive (I actually hate this movie, so I don’t think you should watch it. Read my review to find out why.)
  • The Italian Job (1969)

Further sentences:

*Seventy-one minutes! Honestly, films like this are a delight, especially if I don’t have to pay for them. Get in, get the story told, get out.
**Born in 1974, I’ve grown up with the clear message that any hitchhiker I picked up would instantly rape and/or murder me, but I know that in the 1950s, hitching was more common. Also, should I stick my thumb out, I’d only be asking for assault or death. Probably both. Is this true? Probably not. But that’s the message that has been pushed since at least the 1970s.
***Kind of a miracle, given the release date.

Questions:

  • Do you think that Collins and Bowen could have done more to overpower Meyers?
  • What was the tensest moment for you?

Favorite IMDB trivia item:

In an interview, Talman recalled an incident that happened shortly after the release of The Hitch-Hiker, in which he gave a chilling portrayal of escaped murderer and serial killer Emmett Meyers. He was driving his convertible in Los Angeles with the top down, and he stopped at a red light. Another driver in a convertible who was stopped next to him stared at him for a few seconds, then said, “You’re the hitch-hiker, right?” Talman nodded, indicating that he was. The other driver got out of his car, went over to Talman’s car and slapped him across the face, then got back in his car and drove off. In recalling the story, Talman said, “You know, I never won an Academy Award but I guess that was about as close as I ever will come to one.”

Other reviews of The Hitch-hiker:

An orange background with text: You guys are soft. You know what makes you that way? You're up to your neck in IOU's. You're suckers! You're scared to get out on your own. You've always had it good, so you're soft. —The Hitch-Hiker. Read the three sentence movie review: 3SMReviews.com

Shane: Manly but Not Toxic

The review:

George Stevens’ Shane is a manly Western, but not toxically so, and includes an interesting performance by Alan Ladd* and a terrible performance by Brandon De Wilde.** The farmer/cowman stakes are high in this film, and the movie is interesting, though not overly tense or gripping. There’s also a fight scene that had me marveling at how much fight scenes have changed in the last 60 years.***

The verdict: Good

Cost: free from the Multnomah County Library
Where watched: at home

Consider also watching:

Further sentences:

*Much like my view of Marlon Brando in On the Waterfront, Alan Ladd’s small frame (compared to today’s standards) and placid demeanor struck me as somewhat feminine in presentation. Somewhere in this phenomenon lies an interesting commentary about moving toward a society with gender equality and seeing men’s muscle mass increase, and women’s body size decrease.
**Good lord, if only they had cast a kid who could act! I spent the entire movie wondering where all the good child actors were hanging out in the 1950s, because I don’t see many quality performances from the under-10 set. Also, there seemed to be an industry-wide acceptance of terrible child acting because Brandon De Wilde was nominated for an Oscar for this performance.
***There was a lot of circling before the actual fighting got underway. It eventually got to some big fight action, but it took its time getting there. Also, the foley artists got completely carried away with the sounds of breaking glass, though they did a great job with the men grunting.

Questions:

Favorite IMDB trivia item:

Having witnessed, during his World War II service, the profound effects a bullet could have on a man, realism was important to George Stevens during the making of the film. This therefore is one of the first movies to use stunt wires to pull the actors or stuntmen backwards to simulate when they’ve been shot.

On the Waterfront is a Classic for a Reason

The review:

Sixty-five years later, Elia Kazan’s On the Waterfront remains a potent tale of doing the right thing. All the cast members, but Marlon Brando in particular,* excel at showing the choices that are made when there aren’t many good choices to be had. Aside from Brando being Brando (back when that was a good thing) Karl Malden is excellent as a priest determined to make a difference, and Eva Marie Saint was incredible—especially given the era-specific limitations of her role.**

The verdict: Recommended

Cost: free from MCL
Where watched: at home

Consider also watching:

Further sentences:

*Most of my exposure to Brando has been after 1980, which is far from peak Brando, so you can image how different he seemed to me in this film. One interesting observation: how he presents as very uber-male, but at times, his movement and expressions also present to my 21st century viewing eyes as effeminate (or, to use the 80s term: faggy). I think it’s because of the placidity of his face, and the amount of emotion that rolls off of him. Actors today playing straight male roles are less fluid in both their body movements–probably because they carry a lot more muscle–and their facial expressions.
**I think of her in comparison to Grace Kelly in High Noon. Saint is a bubbling factory of emotion, while Kelly is wooden.

Questions:

  • Was it method acting by Brando and Saint that made this movie so good, or were they just amazing actors in general?
  • Who do you think had the toughest choice in this film?
  • Aside from Malden, Brando, and Saint, who was your favorite actor in this film?

Favorite IMDB trivia item:

Sam Spiegel forgot to pay for rear-projection equipment, hence the reason why the cab where Marlon Brando and Rod Steiger play out the film’s most famous scene has blinds.

Best films by decade watched in 2018

Top movies watched in 2018 from individual decades

I like some structure to my movie watching. But only some.

I’ve got a scratch-off movie poster* that had me chasing some old classics in 2018, plus some catch up viewing for Filmspotting Madness, 2000s edition. That meant that I watched some things from decades other than the current one.

Oh, and there was a movie that was scheduled to be released that had three previous versions. I couldn’t let that opportunity go by.

Here are my favorite old favorite discoveries in 2018

1930s

2 movies watched from the 1930s

A Star is Born (1937)

A Star is Born 3SMReviews.com

Four stars.

Janet Gaynor is Esther Blodgett, an aspiring actress and Frederic March is the aging alcoholic actor who wants Ms. Blodgett to be the film star she’s always dreamed of being.

While there was a lot of subject matter that usually would sink the film for me (May-December romances, falling in love with an alcoholic) I adored this film.

1940s

6 movies watched from the 1940s

The Treasure of the Sierra Madre

The Treasure of the Sierra Madre 3SMReviews.com

Five stars.

John Huston’s classic is a classic for a reason. You may be intrigued because it’s a Humphry Bogard film, but John Huston cast his own father as Howard, the old gold prospector delighted to be out in the gold fields again. Howard steals the show.

1950s

6 movies watched from the 1950s
I really hit the jackpot with this decade

High Noon

High Noon 3SMReviews.com
Gary Cooper, Grace Kelly Directed by Fred Zinnemann

Five stars.

Gary Cooper doesn’t have much time to raise up a posse to greet Frank Miller, the criminal Cooper sent to prison several years before. But it shouldn’t be too hard. After all, everyone remembers how bad things had been when Frank Miller was around.

It turns out it’s hard.

All About Eve

All About Eve 3SMReviews.com
A publicity still from the 1950 Academy Award®-winning drama “All about Eve” features (left to right): Gary Merrill, Bette Davis, George Sanders, Anne Baxter, Hugh Marlowe and Celeste Holm. “All about Eve” received a record 14 Academy Award nominations and won six Oscars®, including Best Picture. Restored by Nick & jane for Dr. Macro’s High Quality Movie Scans Website: http:www.doctormacro.com. Enjoy!

Five stars.

If you’re like me and your only exposure to this movie is a few quotes, well then “fasten your seat belts, it’s going to be a bumpy night.” Bette Davis is amazing, as is the rest of the cast.

Witness for the Prosecution

Witness for the Prosecution 3SMReviews.com

Five stars.

Billy Wilder, Marlenia Dietrich, Tyorne Power, Charles Laughton. Big names! And a big story of a lawyer defending his client from a murder charge. Best enjoyed if you know nothing about the film. Do you like courtroom dramas? Queue this one up!

A Star is Born (1954)

Five stars.

Okay so 2018 was the year I spent a goodly amount of time gushing over three of the four versions of this movie. But there is a good reason for that! This time, Judy Garland plays the aspiring actress and James Mason plays the alcoholic has-been. And Judy Garland was a force. Watch the below scene and see if you don’t want to invest another another 150 minutes in this movie.

1960s, 1970s, 1980s

For these decades I have no movies to recommend. I didn’t watch any movies from the 60s, only one from the 70s (that was the terrible version of A Star is Born) and only two in the 80s.

1990s

I watched two movies from the 90s in 2018

Beau Travail

Four stars.
This film isn’t going to be for everyone. You’ve got to be a fan of stories incrementally told while not a lot of action happens. In fact, the action that mostly happens is young men in the French Foreign Legion doing training exercises in the sun. But watching young, fit men work out isn’t the worst way to spend your time. And if you are like me, the ending scene with Denis Lavant will captivate you.

2000s

I watched 18 movies from the ‘aughts in 2018. Only one of them was a five-star movie.

Ocean’s Eleven

Ocean's Eleven 3SMReviews.com

Five stars.
Eleven actors, all at their sparkly best. A heist plotted against a guy who deserves to lose his money. Julia Roberts. This film is the filmiest of films and so much fun. Get the team together, get the plan together, execute the plan, deal with the fallout. It’s hard to stop smiling while watching this.

Further sentences:

*It appears that my version of Pop Chart’s 100 Essential Films Scratch-off Movie Poster has been substituted for this one. Most of the movies look the same, though. Oh, but they added Lady Bird (my #1 movie of 2017) Sorry to Bother You (Boots Riley for the win!) and Black Panther (If you’re only going to see one Marvel film, this is it). Good choices.