Tag: 20s

Da 5 Bloods: Back to ‘Nam

Da 5 Bloods

Da 5 Bloods

Directed by Spike Lee
Written by Danny Bilson, Paul De Meo, Kevin Willmott, and Spike Lee

The review:

This movie is long* and takes place in two time periods** (Vietnam in 1971 and Vietnam in present day) and has a lot of feelings ricocheting around. Much like the Vietnam War was a mess that kept getting worse, so goes the plan to find the gold.*** While things are going south there are some amazing performances**** and the actors have built characters into people we care about.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*I took a bathroom break and when I paused the film I discovered that though the counter said 1:12 for having watched, there was still 1:22 left to go. I groaned, but the second half turned out to be engrossing.
**In the two time periods it uses the same actors for both without digitally de-aging them. I was not a fan of that process in the Irishman, so good job avoiding that, but it was weird to see the old actors looking old and playing young without comment. The aspect ratio changed to indicate which time period we were in. I eventually got used to it.
***I feel like there could be a movie throw down called Going After the Fortune: Totally Worth Your Time vs. Will Destroy Your Life.
****Delroy Lindo’s direct address to the camera! Wow!

Questions:

  • Where do you stand? Leave the treasure there, or go get it?
  • Which of the four remaining Bloods had the most to lose?

Favorite IMDB trivia item:

This will be the first Netflix film to screen at the Cannes Film Festival in three years. Controversy had stirred up after Netflix screened their films at the 2017 festival over the differing policies of streaming versus theatrical release, prompting Netflix and festival organizers coming to strong disagreements. Netflix subsequently withdrew their films from the festival for three years after. This film will be part of the festival’s Out of Competition category for the 2020 festival.

Well that didn’t come to pass. Thanks, coronavirus.

Other reviews of Da 5 Bloods:

Da 5 Bloods

Becoming Captures a Time

Becoming

Becoming

  • Directed by Nadia Hallgren

The review

Nadia Hallgren takes us along on Michelle Obama’s book tour in Becoming, a movie that is both a nostalgic trip back to 2008–2016 and an illustration of why so many people admire the former first lady.* For a ninety-minute film it packs in a lot: the planning of and excerpts from her tour, behind-the-scenes footage of her daily life on tour,** discussion of her life before politics, her role as a politician’s wife, and even short bios on a few of the teenagers who participated in chats with Obama while on tour. The pacing drags near the end, but for anyone interested in Obama’s life, or how intelligent and graceful women live their lives, this is a must-see film.

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Further sentences:

*There was a lot to like in this film, but I think my favorite parts were watching the audience reactions as she talked.
**Favorite scene: when her brother asked about the placement of her belt. It was a great illustration of what fashion means for men vs. for women. Also: funny.

Questions:

  • Did seeing this film change how you thought of Michelle Obama?
  • What was the most interesting behind-the-scenes moment?

Other reviews of Becoming:

Becoming

The Lovebirds is Packed with Laughs

The Lovebirds

The Lovebirds

  • Directed by: Michael Showalter
  • Written by: Aaron Abram, Brendan Gall

The review:

The Lovebirds pairs Issa Rae and Kumail Nanjiani in a hilarious movie that pushes all the comedic buttons. I think the key to this film is that Rae and Nanjiani play a couple that isn’t in sync any longer, but hasn’t moved to full-on hatred.* There are a lot of amusing fish-out-of-water setups, and the two really shine when they are improving how to be tough guys, rather than the advertising exec and documentary filmmaker that they are.**

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home.

Consider also watching:

Further sentences

*This is important. Tuning in for 90 minutes of angry people snapping at each other, no thanks. But 90 minutes of two people who disagree about a variety of things yet still respect each other leaves room for a lot of laughter.
**I laughed so very hard at this film from the first disagreement (We would win the Amazing Race) to the last one. I laughed all alone in my house the first night, and then all over again the next night when the boyfriend and I watched it together.

Questions:

  • Which of the outfits Rae and Nanjiani wore do you think provided the most humor per scene?
  • What’s another out-of-sync-couple captured on film that you enjoy?

Favorite IMDB trivia item:

(also the only IMDB trivia item)
Paramount had originally planned to released the film theatrically on April 3, 2020, but decided to release it on Netflix due to the Coronavirus pandemic and widespread theater closings.

Other reviews of The Lovebirds:

The Lovebirds

Unwrapping 18 Presents

18 Presents

The review:

Francesco Amato’s 18 Presents could have dived right in to movie cliches* but ventures off in a different direction to create a movie that had me intermittently verklempt. The charm comes from the independent** natures of the mother (Vittoria Puccini) and daughter (Benedetta Porcaroli.) While a little too sad to be a Sunday Afternoon Film,*** this is a pleasant way to spend a few hours.

The verdict: Good

Cost: Netflix monthly charge ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*After all, the setup (Pregnant woman learns she has terminal cancer; plans 18 birthday presents for her unborn daughter) had me thinking I knew how this would go down.
**And feisty.
***A low-stress film that doesn’t demand much brainpower and leaves you with a good feeling. One last breath of weekend fresh air before you launch into prep for the week ahead.

Questions:

  • When’s the last time you watched a movie from Italy? It’s been a long while for me.
  • If you were going to cast Benedetta Porcaroli (the daughter) in a US-based film, what role would be good for her?

Other reviews of 18 Presents:

The Photograph is a Good Slow

The Photograph

The review:

Stella Meghie’s The Photograph is a slow buffet of pleasure that is delightful for the person in the mood for not much happening, and probably tedious for everyone else.* It’s also a movie that hinges on the back and forth of conversations, rather than actions.** I’m here to champion love stories in two eras, Louisiana and New York City, the gorgeous faces of the leads, because if we can make the same action film forty-two times a year, surely we can find room for a languid romance.

The verdict: Good

Cost: $1.425 due to Redbox promos, but actually free because I used a gift card.
Where watched: at home
(When I first introduced it, who could have imagined this category would have a long period of redundancy.)

Consider also watching:

Further sentences:

*I was quite happy: I’d had some wine, enjoy love stories, LaKeith Stanfield, and was interested to catch up with Issa Rae. (I don’t have HBO, so haven’t seen Insecure.)
**The other film directed by Meghie, The Weekend, was similarly slow and conversation based. Oh wait, she also did Everything Everything. That had a little more action, but it also was adapted from a novel.

Questions:

  • How well matched do you think Sara and Michael are?
  • What do you think the odds are of Lil Rel Howrey breaking out of his small-bit sidekick role. (I’ve seen him play this role in Get Out, Brittany Runs a Marathon, and this.)

Favorite IMDB trivia item:

The one there isn’t good enough to be a favorite, so instead read this interview with director Stella Meghie.

Other reviews of The Photograph:

The Photograph

Beanie Feldstein Dazzles in How to Build a Girl

How to Build a Girl

The review:

Beanie Feldstein has been on my radar since her supporting work in Neighbors 2* and I don’t think any other actress could pull off the brash (and somewhat fantasy-based) confidence of Johanna Morrigan/Dolly Wilde in Coky Giedroyc’s How to Build a Girl. This is the rock star trajectory movie** but with a teenage girl as its center*** and with the job in question rock critic, not rock star.**** While the film itself is predictable (see: rock star trajectory) that doesn’t make it any less fun.

The verdict: Recommended

Cost: $6.99 (a VOD price point I can afford!)
Where watched: at home

Consider also watching:

Further sentences:

*Don’t think Neighbors 2 is for you? You might reconsider when you read my list.
**Humble beginnings; early failures; early success; wild success; drinking and drugs; moment of truth; better understanding of life and their place in it.
***And having a teenage girl at the center of a music-focused movie means this is an automatic Recommended movie. There aren’t enough portrayals of girls making music.
****This brings up inevitable comparisons to the other teenage rock critic movie: Almost Famous. This is smaller in scope and more focused on the rock critic herself and not the bands she reviews.

Questions:

  • Can we have a rock star movie without the rock star trajectory, or would there not be enough plot?
  • Was there a point when you weren’t on Dolly’s side anymore? If yes, when?

Favorite IMDB trivia item:

There wasn’t anything good, so I’ll tell you that Caitlain Moran wrote the screenplay and the book on which this is based. Her book How to be a Woman is incredibly funny, especially for women born around 1975, when she was born.

Other reviews:

Extraction Delivers on its Promise

Extraction

The review:

Sam Hargrave’s Extraction is a great opportunity for Chris Hemsworth to show off his action fight scene skills (plus emoting)* and educated me that in Bangladesh the cars are driven on the left side. The cast is sufficiently international, with Rudhraksh Jaiswal (Ovi) and Randeep Hooda (Saju) giving outstanding performances as the kidnapped boy, and the factotum tasked with recovering him. While it does seem for a while to be one very long fight scene, things do eventually slow down for some character growth before picking back up again.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*This is a bloody film, with many red shirts sacrificed. “Oh for Hemsworth to have chosen a quiet, indie drama,” was a thought I had more than once.

Questions:

  • What do you think that last image was leaving us with?
  • Which of the many fight scenes was your favorite?
  • What do you think the lives of the many, many (many) now-departed Red Shirts were like?

Favorite IMDB trivia item:

The child you see in the flashbacks on the beach is Chris Hemsworth’s real-life son.

Other reviews of Extraction:

Extraction

All the Bright Places: Stick With the Book

All the Bright Places

The Review:

Brett Haley’s All the Bright Places is a romance with a bit of bipolar and hints of suicide.* Elle Fanning is great: she captures the emotions her character Violet travels through, from depressed despair to love and back again. The film does a disservice by not confronting the darkness; it’s content to bask in the love story.**

The verdict: Skip

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider watching instead:

Further sentences:

*This is one of those reviews where I’ve read the book and liked the book and even though it’s been a few years since reading, the plot is still very clear in my mind and does a much better job of getting across the point which is: mental illness is tough and even when you love someone it’s not the thing that’s going to fix their illness.
**It is good at capturing that early love stage, though perhaps too much dependent on montage.

Questions:

  • Do you think a film can accurately capture the complexities of bipolar disorder and falling in love? It seems a tall order.
  • Justice Smith. What did you think of his performance?

Favorite IMDB trivia item:

Elle Fanning’s first credit as producer on a feature film.

Other reviews:

All the Bright Places

Emma. is Period Perfect

Emma.

The review:

Autumn de Wilde’s Emma. is a dressed up in confectionery shop color, which shows off the transformation of Emma as she takes on a friend in order to add another match to her successes. Anya Taylor-Joy’s deft performance shows the evolution of Emma, ably aided by perfect supporting performances especially Mia Goth as Harriet and Johnny Flynn as Mr. Knightley.* This is not a period film where we get to know the servants as the focus is singularly on Emma’s circle, but it’s a funny film** and it has a lot of feeling in places,*** not to mention a gorgeous soundtrack.

The verdict: Recommended

Cost: $6.00
Where watched: Laurelhurst Theater (last movie in the theater prior to coronovirus shutdowns.)

Consider also watching:

Further sentences:

*Wondering who Johnny Flynn was, I found he starred in the Netflix comedy Love Sick, which I am currently enjoying quite a lot.
**Bill Nighy as Mr. Woodhouse is always good for a laugh.
***Including one point where the audience gasped aloud.

Questions:

  • What do you think is the key element of success when adapting Emma?
  • How badly do you want to visit that hat shop?

Favorite IMDB item:

The film’s title unconventionally has a period at the end. The director has stated in multiple interviews it is to signify the movie as a “period piece” set in the original era.

Other reviews:

Emma.

To All The Boys: P.S. I Still Love You Is a Very Long Title

To All the Boys: P.S. I Still Love You

The review:

After disliking Noah Centineo so intently in The Perfect Date, I was gun-shy of To All the Boys: P.S. I Still Love You, but Michael Fimognari managed to include enough good relationship things* that I came away satisfied. And sometimes in a woman’s life there is a period where the boys come out of the woodwork, and this is rarely represented on film, so that was fun. This is solid, middle-tier movie making, perfect for two hours of untroubled movie viewing.**

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*The indie drama fan in me is always interested in what happens after the couple gets together and there were a lot of first-relationship troubles.
**There are troubles, of course, because otherwise there wouldn’t be a movie. But no one is dying here.

Questions:

  • What film comes closest to your own first relationship?
  • When do you turn to films like this one?

Favorite IMDB trivia item:

Jordan Fisher plays John Ambrose McClaren in this movie. In To All the Boys I’ve Loved Before (2018) the role of John Ambrose was played by a different actor, Jordan Burtchett.
(I wondered about this, but was too lazy to check. Thanks IMDB trivia writer!)

To All the Boys: P.S. I Still Love You