Books Read in March 2024

*Book Group Selection | Bolded means favorite

Picture Books

*Jimmy’s Rhythm & Blues: The Extraordinary Life of James Baldwin by Michelle Meadows and Jamiel Law
*My Block Looks Like by Janelle Harper and Frank Morrison

Middle Grade

*We Still Belong by Christine Day
*Not So Shy by Noa Nimrodi
*Eagle Drums by Nasugraq Rainey Hopson
*The Fire, the Water, and Maudie McGinn by Sally J. Pla
*The House of the Lost on the Cape by Sachiko Kashiwaba, Avery Fischer Udagawa
(Translation), Yukiko Saito (Illustrations)
*Between Two Brothers by Crystal Allen

*The Dubious Pranks of Shaindy Goodman by Mari Lowe

Really gets into those lonely middle school feelings. Cover art gripe: the girls are wearing roller skates, not rollerblades.

*The Jake Show by Joshua S. Levy

I really felt for Jake; it’s tough to be saddled with parents whose vision of their child doesn’t take into account the child’s vision. I needed to suspend my disbelief for a major plot point, but a great read overall.

Young Adult

Shut Up, This Is Serious by Carolina Ixta
*Pardalita by Joana Estrela; Lyn Miller-Lachmann (Translator)
*In Limbo by Deb J.J. Lee
*Worm: A Cuban American Odyssey by Edel Rodriguez

*Going Bicoastal by Dahlia Adler

Two different romances in one novel? Yes, please!

*Only This Beautiful Moment by Abdi Nazemian

Stories of three young men (sneaky historical fiction: two are from prior decades.) Period details were solid, including the contemporary ones. Also good: the journeys of the characters.

Young Nonfiction

*She Persisted: Wilma Mankiller by Traci Sorell
*Log Life by Amy Hevron
*Everywhere Beauty Is Harlem: The Vision of Photographer Roy DeCarava by Gary Golio and E.B. Lewis

Quixote Nuevo at Portland Center Stage

Matt and I took in PCS’s Quixote Nuevo, and had a great evening of theater. The story transports Don Quixote to La Plancha, Texas, where a retired English professor with dementia heads off on a journey for his long-lost love.

Among the great performances and great songs there was also great puppetry. The cast of nine was kept busy with multiple roles, and the story was compelling.

Also, this was a co-production and traveled from the South Cost Repertory Theater in Costa Mesa, California, to the Seattle Repertory Theater and then ended its run in Portland. The set was designed to fit all three stages, and the actors worked for longer because of it. In a time when arts organizations are struggling, this seems like a brilliant plan.